November/December issue out now!
3 November 2015
Choir & Organ
speaks to Danish composer Bent Sørensen who made his choral mark by combining
his music with 500-year-old works by Ockeghem; tributes to John Scott, the
great organist and choirmaster; Juget-Sinclair’s new organ brings a twist of
Gallic colour to a Dallas church; and, as many choirs are gearing up for an
annual performance of Messiah, a new
exhibition sheds light on the composer’s friends. Plus, discover the flair of
Orgelmakerij Reil as we visit their latest instrument in Bodegraven; how
Houston Chamber Choir has invigorated musical life in the city for 25 years;
Rebecca Tavener surveys the trying circumstances surrounding the composition of
major Christmas works by Tallis and Schütz; conductor David Hill suggests ways
of catching the essence of prayer in Bruckner motets; report from our composing
for organ workshop with Judith Weir and Thomas Trotter; obituaries for Martin
Goetze and Sir David Willcocks; and our global directory of choral conducting,
church music and organ courses.
Buy the digital version here.
Buy the print version here.
Choral at Cadogan 2015/16
30 October 2015
The eighth Choral at Cadogan series takes place between 22 October 2015 and 11 May 2016.
Daniel Hyde will direct the Choir of Magdalen College, Oxford for this year's Christmas concert. ‘Fantasia on Christmas Carols’ marks Advent with a programme exploring the Blessed Virgin Mary on 11 December 2015.
Tenebrae (directed by Nigel Short) will present an evening of French choral music exploring ideas of penance and praise on 11 February 2016. The programme includes Brumel’s Lamentations, motets by Saint-Saëns, Duruflé and Poulenc, and the latter’s cantata Figure humaine.
On 17 March 2016, Alamire explore the music of Anne Boleyn’s Songbook with music from some of the greatest composers of the early 16th century.
Peter Phillips will direct Tallis Scholars in the world premiere performance of Matthew Martin’s new set of Lamentations on 20 April 2016. The programme will also include Gibbons’ The Silver Swan and Lamentations by Nico Muhly, Tallis and Phinot.
Vox Luminis (directed by Lionel Meunier) close the series on 11 May 2016, with a programme of a cappella Elizabethan English music conceived around the theme of Light and Shadow.
Choral at Cadogan
Spitalfields Music Winter Festival 2015: choral highlights
30 October 2015
The Spitalfields Music Winter Festival 2015 runs from 4-15 December.
The first choral event in the festival takes place on 10 December, as Les Arts Florissants makes its festival debut with Monteverdi’s first three madrigal collections.
On 11 December, the Choir of Royal Holloway presents a programme titled 'Songs From the Northern Lands'. Directed by Rupert Gough, the late-night a cappella performance features music from the Baltics and Scandinavia, including Arvo Pärt’s Magnificat and Einojuhani Rautavaara’s Vespers from Vigilia.
The Sixteen explore the relationship between Mary and her child on 12 December, with music ranging from renaissance polyphony to more contemporary works, including pieces by Tallis, Byrd, James MacMillan and John Tavener.
The Marian Consort presents works inspired by the visitation of the shepherds at the nativity for its Festival debut on 14 December at Shoreditch Church. Directed by Rory McCleery, the performance is centred on Mouton’s motet Quaeramus cum pastoribus, and also features works by Guerrero, Morales and Victoria.
Solomon’s Knot Baroque Collective bring the festival to a close on 15 December at Shoreditch Church with a performance of JS Bach’s Christmas Oratorio. The ensemble will perform from memory and without a conductor.
Tickets cost from £5.
Spitalfields Music Winter Festival 2015
Sanctiandree label releases second album
30 October 2015
The University of St Andrews is to release a second album of choral music on its Sanctiandree record label.
Ca’ the Yowes: A Traditional Tapestry features the St Salvator’s Chapel Choir, directed by university organist Tom Wilkinson.
The disc will feature performances of traditional songs from Scotland, Ireland and England including 'The Skye Boat Song', 'The Turtle Dove', 'Loch Lomond' and 'Auld Lang Syne', as well as a performance of 'The Land of the Mountain and the Flood' by Hamish MacCunn on the 1923 Harrison and Harrison concert organ at the Caird Hall in Dundee.
Wilkinson said of the release: 'St Salvator’s Chapel Choir represents a centuries-old tradition in a profoundly international cultural setting. In this context, the performance of folk songs has a special place in our repertoire and a special resonance with our listeners. This is especially true at our graduation ceremonies; a defining moment in the student rite of passage and a time when the University welcomes countless family and friends from all corners of the globe.
'The performance of traditional songs has become a cherished tradition at these extraordinary occasions and one which, as a result, has become synonymous with the choir. Successive university organists have, unsurprisingly, found themselves naturally drawn to the arrangement of folk songs: my own modest contributions follow in the rich tradition of my illustrious predecessors Cedric Thorpe Davie and John Kitchen, whose beautiful version of 'The Isle of Mull' opens the disc.'
To mark the release of Ca’ the Yowes
, St Salvator’s Chapel Choir will give a concert in the chapel of Haddo House, Aberdeenshire on 21 November at 1pm. Tickets for this event, which include afternoon tea in Haddo House library, cost £10 and are available here
Ca’ the Yowes will be on general sale from 23 November, priced £9.99. All proceeds will go to the University of St Andrews Music Centre to fund future choral activities.
St Salvator's Chapel Choir
Edition Peters choral music survey
29 October 2015
Edition Peters and Tido, in association with the Association of British Choral Directors and the National Youth Choirs of Great Britain, are looking for people involved in choral music to take part in a survey.
The questions are intended to help the organisations understand how choral musicians are using sheet music and technology now, and how they might use them in the future.
The survey aims to ascertain where choirs acquire sheet music, whether singers use digital devices as part of their choral singing, and which apps they use.
Responses are anonymous and the survey should take no more than 10 minutes to complete.
Edition Peters Choral Music Survey
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