NIIOC announces senior category candidates
18 August 2015
Erwan Le Prado
- Callum Alger - UK
- Sanne Behrends Lorenzen - Denmark
- Yanis Dubois - France
- Jack Redman - UK
- Martina Smyth - Republic of Ireland
- Henry Brearley - UK
- Josie Towle-Jones - UK
- Robbie Carroll - Republic of Ireland
- Alexander Hamilton - UK
- Laurence Long - UK
- Anna Lapwood - UK
- David Bendix Nielsen - Denmark
Choral compositions announced
18 August 2015
The pieces chosen for the Choir & Organ Choral Composition Workshop on 1 September, with Judith Weir and the BBC Singers, are:
- Manos CHARALABOPOULOS: The Cloths of Heaven
- William COLE: ...plorans ploravit...
- Jacob EWENS: After long silence
- Gemma MCGREGOR: Egilsay Kirk
- Angela Elizabeth SLATER: Apparition
- SungLyul YOON: O Virtus Sapientiae
Organ compositions announced
4 August 2015
Master of the Queen’s Music Judith Weir CBE and Thomas Trotter have announced the pieces that they have chosen for the Choir & Organ Composition Workshop for Organ on 10 September, held in partnership with the Royal College of Organists.
The workshop – which is free of charge, and is open to composers and observers alike – will provide a unique insight into composition techniques for the organ, drawing on seven of the 17 scores submitted by composers of all ages.
The pieces to be workshopped are:
- Ben Comeau: Cordes à tension
- Rob Crehan: Hymn to the Martyr
- Andrew Kirk: Ostinato 45
- David Loxley-Blount: Limadie meets London
- Miriam Mackie: Kept Burning
- Christian Morris: Warum sollt ich
- Elizabeth Winters: Evening Voluntary
Judith Weir commented: ‘We have received an interesting and varied group of scores, some by composers already known to the new music community, others not yet so well-known (to me at least!). In almost every case the music has been well-presented and literate. Composers vary about how many organ-specific details and registrations they include in the score – this will, I’m sure, be a discussion point in the workshop – but most seem to have imagined the geography of the instrument well, even if they aren’t organists.’
The workshop takes place on Thursday 10 September at 2-5pm, on the new Richards, Fowkes organ in St George’s, Hanover Square, London W1S 1FX. Sign up for a free ticket here.
Chosen scores for our Choral Composition Workshop on 1 September (with Judith Weir and the BBC Singers) will be announced in due course. Free tickets to the choral workshop can be reserved here.
Choir & Organ visits Merton College, Oxford's Dobson organ
28 July 2015
In this new short-form documentary produced by Rhinegold Publishing, Maggie Hamilton travels to Merton College, Oxford, to discuss the 2013 Dobson organ with organist John Scott, and organ builders Lynn Dobson and John Panning.
Dobson and Panning explain how the organ was built to match its surrounding, and Scott demonstrates its touch and registration.
The documentary was filmed on Saturday 26 April 2014, before the inaugural recital was given by John Scott.
- Maggie Hamilton, editor of Choir & Organ magazine
- John Scott, former organist of St Paul’s Cathedral and current organist and director of music of Saint Thomas, Fifth Avenue, New York
- Lynn Dobson, president and artistic director of Dobson Pipe Organ Builders
- John Panning, tonal director of Dobson Pipe Organ Builders
With special thanks to Benjamin Nicholas, director of music at Merton College, Oxford.
You can read more about the Merton College organ in the March/April 2014 issue of Choir & Organ magazine:
John Scott: concert review
14 August 2015
John Scott at his Three Choirs Festival recital in Hereford Cathedralphoto by Gordon Taylor
On 31 July, John Scott's recital at the Three Choirs Festival in Hereford was a sensation (from a review by the editor of the Three Choirs Festival, to be published in the September/October issue of Choir & Organ)
… Scott demonstrated the versatility of the instrument in the big orchestral romanticism of Mendelssohn’s Overture to St Paul (arr. Best), Franck’s Choral no.2 in B minor, and a complete romp through Lemare’s Concert Fantasia; the simple elegance of Mozart’s Adagio and Allegro in F minor K594; and a registrational cornucopia in Bach’s Passacaglia & Fugue in C minor BWV 582 and Dupré’s Variations sur un Noël – I felt like a child in a sweetshop, sampling one delicious flavour after another. The programme also included two new pieces for the Orgelbüchlein Project – Cecilia McDowall’s Wo Gott der Herr nicht bei uns hält, and the world premiere of Anthony Powers’s O Gott, du frommer Gott – and Scott cleverly preceded each with a Bach chorale prelude that reflected a similar compositional technique: Herr Jesu Christ, dich zu uns wend BWV 632 before the Powers, written in a canonic texture, and Liebster Jesu, wir sind hier BWV 633, exquisitely embellished, before the McDowall, which also is characterised by delicate ornamentation …