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Choir & Organ is the leading independent magazine for all professionals and amateurs in the choral and organ worlds – whether you are an organist, choral director or singer, organ builder, keen listener, or work in publishing or the record industry, Choir & Organ is a must-read wherever you live and work.

Every two months our expert contributors bring you beautifully illustrated features on newly built and restored organs, insights into the lives and views of leading organists, choral directors and composers, profiles of pioneering and well-established choirs, and topical coverage of new research, festivals and exhibitions. In keeping with our commitment to music at the cutting edge, we commission a new work from a young composer in every issue, making the score freely available for download and performance.

Our international news and previews, with breaking stories, key awards and forthcoming premieres, combine with reviews of the latest CDs, DVDs and sheet music, and listings of recitals, festivals and courses, to keep you up to date with events and developments around the world.

The Neoclassical Organ and the Great Aristide Cavaillé-Coll Organ of Saint-Sulpice, Paris

Latest News

Halsey set to become LSO and LSC chorus director

17 May 2012

'Dream come true': Simon Halsey
'Dream come true': Simon HalseyMatthias Heyde

Leading conductor Simon Halsey has been appointed the chorus director of the London Symphony Orchestra (LSO) and the London Symphony Chorus (LSC). The post will involve coordinating all the choral work relating to the orchestra as well as the chorus.

Principal conductor of LSO Valery Gergiev said he was looking forward to developing his relationship with Halsey: ‘We’ve worked together many times elsewhere. I look forward to a very special partnership with him. I am thrilled about Simon’s appointment.’

Plans are already underway for the LSO and LCS’s 2012/13 season, including performances of Szymanowski’s Stabat Mater and Song of the Night and Brahms’s Ein deutsches Requiem; both performances will see Halsey work with Gergiev.

Earlier this year Halsey was made artistic director of the Berlin Philharmonic’s Youth Choral Programme and appointed as the director of the BBC Proms Youth Choir. He has been chorus director of the City of Birmingham Symphony Chorus since 1983.

Halsey said of his new appointment: ‘The London Symphony Chorus is one of the world’s finest choirs and it’s a group that I hold dear. To return as their director and to take a new post created to bring choral work into the heart of the LSO and its Discovery programme is a dream come true.’

An LSO spokesperson said, ‘It’s a real opportunity. Singing has always been an important element of our discovery work and it has now been highlighted in the national music education plan. With this appointment, Simon can take an overview of all our choral activities, including the three youth choirs and our annual Singing Day.’

Halsey will take up the post from August 2012. For more information visit;

Gerre Edward Hancock (1934-2012)

26 January 2012

Gerre Edward Hancock (1934-2012)
Gerre Edward Hancock (1934-2012)

Gerre Hancock, one of America’s most highly acclaimed concert organists and choral directors, passed away peacefully on January 21st, surrounded by his family, in Austin, Texas.  The cause was coronary artery disease.  A gifted artist, teacher and composer, he was considered by many to be a giant figure in twentieth to twenty-first century American sacred music.  He was known not only for his artistry, but also for his energy, optimism and love of the people he taught and for whom he performed. 

At the time of his death, Dr. Hancock was Professor of Organ and Sacred Music at The University of Texas at Austin, where he taught along with his wife of fifty years, Dr. Judith Hancock. Prior to this appointment in 2004, he held the position of Organist and Master of the Choristers at Saint Thomas Church Fifth Avenue in New York City, where for over thirty years he set a new standard for church music in America.  Previous to his time at Saint Thomas, he held positions as Organist and Choirmaster of Christ Church Cathedral in Cincinnati, where he also served on the Artist Faculty of the College-Conservatory of Music, University of Cincinnati, and as Assistant Organist at St. Bartholomew’s Church, New York City. 

The full obituary features in the March/April issue of Choir & Organ, available to purchase from 1 March 2012.

British Composer awards announced

12 December 2011

Michael Zev Gordon has won the Choral section of the 2011 British Composer awards for Allele, a 40-part unaccompanied work set to a text by Ruth Padel in which singers performed parts derived directly from their own genetic code. Julian Anderson scooped both the orchestral award for his Fantasias, and the Liturgical award for his ‘Bell’ Mass, commissioned by the Dean and Chapter of Westminster Abbey to mark the 450th anniversary of the Abbey's Collegiate Charter.

Full list of winners:

Instrumental Solo or Duo
William Sweeney - Sonata for Cello & Piano

Anthony Payne - String Quartet No. 2

Huw Watkins - Five Larkin Songs

Michael Zev Gordon - Allele

Wind Band or Brass Band
Lucy Pankhurst - In Pitch Black

Julian Anderson - Fantasias

Stage Works
Orlando Gough - A Ring A Lamp A Thing

Julian Anderson - Bell Mass

Contemporary Jazz Composition
Tommy Evans - The Green Seagull

Community or Educational Project
John Barber - Consider the Lilies

Making Music Award
Richard Bullen - I can’t find brumm…

International Award
Bent Sørensen - La Mattina

Graham Fitkin - PK

£1.5m rescue bid for Chapel Royal Choir

12 December 2011

A new Choral Foundation has been set up to secure the musical future of the Chapel Royal, Hampton Court Palace. The Choir to date has been largely self-funded through donations from the congregation but due to growing expenses, funding is now insufficient to sustain it. The Foundation’s launch event followed a special Evensong to celebrate the 400th anniversary of the Authorised Version of the Bible, and was attended by over 200 supporters; guests included descendants of the composers John Blow and Henry Purcell, who were Children and Gentlemen of the Chapel Royal and both performed and composed as part of the musical establishment at Hampton Court Palace.

A spokeswoman told C&O: ‘The Choral Foundation will raise money to fund the musical training of the choir boys, to establish scholarships with local schools for boys who would otherwise not be able to enter the Choir and attend these schools, to undertake major repairs on the historic organ to bring it back to world class standard, and to fund professional Gentlemen singers so they can practise and perform regularly with the Chapel Royal Choir.’

The Chapel Royal has been called ‘the cradle of English church music’. From the 16th century, renowned composers and musicians performed for Henry VIII, Edward VI, Queen Mary I, Queen Elizabeth I, James I, Charles II, William III and Mary II, and Queen Anne. These composers included William Byrd, Thomas Tallis, Orlando Gibbons, Thomas Morley, Henry Purcell, Pelham Humfrey and John Blow. The musicians and composers of the Chapel Royal inspired and were copied by cathedrals, churches and chapels throughout the country. The tradition of musical excellence continues today: the choir regularly performs works by living British composers such as Sir Nicolas Jackson, Sir Peter Maxwell Davies, James McMillan and Jonathan Dove.

Canon Denis Mulliner, Chaplain of the Chapel Royal, said: ‘The Chapel Royal is a hidden treasure, a living, vibrant church with an outstanding choir at the centre of an historic royal palace. We would like to share this with as many visitors as possible.’ Worshippers do not pay the Palace entrance fee to attend services.

London gains another US organ

12 December 2011

The organ of St Bartholomew-the-Great Priory
The organ of St Bartholomew-the-Great Priory

St.Bartholomew-the-Great Priory in London’s West Smithfield – built in 1123 AD and the oldest parish church in the City – is to announce a multi-million pound fundraising initiative which will among other projects bring a second American-built organ to the capital. The Schoenstein Organ Company of Benicia, CA has been selected to provide an organ to replace the current instrument which was taken out of commission in 2010, due to its increasingly unreliability.

In 1886 the organ from St. Stephen Walbrook was transferred to St.Bartholomew and installed by William Hill. Further modifications were made in 1931 by Henry Speechly & Son, in 1957 by N.P. Mander and in 1982-83 by Peter Wells. Director of music Nigel Short told C&O: ‘We were advised that there was nothing in the pipework of the old organ worth saving: we’ve looked high and low and have homed in on US builders – with the American market fairly buoyant in recent years a huge amount has been spent on development, which we’re keen to capitalise on.’

Churchwarden and deputising organist Nicholas Riddle takes up the story:‘The idea was to do something more interesting and unusual than just putting in another English/Orgelbewegung hybrid organ, of which there are endless examples. Because I work extensively in the US, I have met the American symphonic tradition of organ and had much experience of it. The idea of looking at this option was therefore discussed in our organ committee. We discovered that there are really no full-scale examples of such an organ anywhere in Europe – at least, not that we could find. So, we decided it would definitely mean doing something less conventional, and something that really would add to the diversity of instruments available to organists in the UK if there were to be an outstanding example of such an instrument in London, to complement the quite different organ planned for St George’s, Hanover Square.

‘Schoenstein derive their inspiration very much from the English organ building tradition, but have taken it considerably further, both in terms of integrating additional tonal colour, and also in straightforward organ technology. They are, perhaps, most famous for their technique of double enclosure in Swell boxes, where a smaller swell box under independent control, containing usually the loudest and the softest ranks, is contained within a normal swell box. The result is that you can exert a very great deal of control over the sound of the division and play off the expression of the different parts against each other. This gives tremendous expressive possibilities, although you end up with a lot of swell pedals!’

The 1893 casework of Sir Aston Webb will be retained. ‘The current grey pipework will be replaced by reflective display pipes,’ Nigel Short added. ‘We will have a detached, moveable console on the floor of the church, and a positive organ will be added where the current console is situated on the organ screen.’ Jack Bethards, president and tonal director of Schoenstein & Co said, ‘We are honoured to have an opportunity to introduce our American Symphonic style to Great Britain in one of London’s most famous landmark churches. To have our instrument in the company of those by the distinguished English builders present and past will be a significant highlight in our firm’s 134 years of organ building.’ It is hoped that the new Schoenstein organ will be installed in 2014.

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