26 May 2009
The application deadline for the Organ Academy on 21–28
June in Alkmaar has been extended to accommodate latecomers.
Open to amateur organists, organ students and professional organists, the Academy welcomes both active and non-active participants. Those interested should contact the festival immediately.
The Academy gives the opportunity to try out the oldest playable organ in the Netherlands, by Jan van Covelens (1511), and the renowned 1645 Van Hagerbeer organ, both in Grote Sint Laurenskerk.
Concert tickets can be bought in advance online; concessions and tickets not listed are only available 45 minutes before the starting-time, at the paydesk of the church concerned.
After 10 June advanced bookings can be made at the tourist office in Alkmaar.
BIOS and RCM form new partnership
26 May 2009
The National Pipe Organ Register is being expanded and made more accessible thanks to a new partnership between the British Institute of Organ Studies and the Royal College of Music in London.
Launched by BIOS in 1987, the NPOR has been in computer-based form since 1991, making available lists of organ specifications, photographs and sound files of historic British organs. More than 1,000 stop-lists are consulted daily by people around the world. The free internet service is now run on the RCM’s computers, at www.npor.org.uk.
A new sound file of organ music played from Adlington Hall, Cheshire, has just been added to the NPOR website to mark the 50th anniversary of the instrument’s restoration by Noel Mander.
BIOS chairman John Norman says: ‘BIOS is very happy with the enthusiasm of both Paul Banks [RCM professor of performance history] and Nicholas Watkins [RCM head of ICT] to work with us on the future development of this invaluable service. Like all large databases the NPOR has some errors and omissions, and BIOS has a team of skilled volunteers updating the records in response to corrections sent in by interested organists.’
Update information should be sent to firstname.lastname@example.org. BIOS membership details are available from BIOSemail@example.com.
26 May 2009
There are question marks over the future of the 1975 Kuhn organ that once sat in Alice Tully Hall, New York. The instrument was removed in 2006 when the hall, part of Lincoln Center, began refurbishments costing US$159 million. The hall reopened in February 2009 without the organ, which remains in store in Argyle, upstate New York. The date for the instrument’s reinstallation has changed several times. A draft contract drawn up between the hall and Kuhn Organ Builders in 2006 specified that the organ was to be returned in October 2008.
Because of construction delays the Center put off reinstallation until summer 2009. In April Lincoln Center told the New York Times that the return date was now mid-2010 because it was too soon ‘to take the hall offline’ and extra time was needed to allow construction dust to settle. However, it conceded that it still did not have the estimated $1 million in funds needed for the reinstallation, although the new date was only a year away.
Kuhn and Lincoln Center told C&O in May that they were in discussion, but refused to comment on the nature of their talks. The Center said it was ‘committed to reinstalling the organ at the appropriate time’ but did not give a date.
Paul Jacobs, chairman of the Juilliard School’s organ department, fears that the instrument is not a priority for the Center: ‘The delay seems to indicate a lack of a vision. This is particularly unfortunate in light of the fact that numerous other concert halls throughout the United States have added pipe organs in recent years. ‘The question of funding should have been considered years ago when every other detail concerning the hall was being addressed. Besides, the estimated cost of the organ’s reinstallation is a drop in the ocean compared with the total cost of the hall’s renovation.”
The organ was a gift from the late arts benefactor Alice Tully, whose foundation contributed $15 million to the hall’s refurbishment. Currently, no other major concert hall in New York has a pipe organ; the 1963 Aeolian-Skinner organ, built for what is now Avery Fisher Hall, was removed in the 1970s.
Gabriel Jackson to be the BBC Singers’ new Associate Composer
13 May 2009, London
The BBC Singers have announced that Gabriel Jackson will be their new Associate Composer from January 2010.
Jackson, who follows in the footsteps of Judith Bingham, will collaborate with the BBC Singers for three years. Michael Emery, the BBC Singers producer, welcomed the appointment: ‘I'm delighted that Gabriel is to be our next Associate Composer - we've known his music, in the Singers, for many years and much enjoyed performing it, especially the pieces written specifically for us. He's a composer with a huge sympathy for and expertise in vocal music, and I really look forward to seeing what choral wizardry he'll create for the BBC Singers over the next three years.’ Jackson responded, ‘I’m terribly excited about this. The BBC Singers are fantastic and the opportunity of working with a group of that calibre affords all sorts of new exciting avenues to explore.’ www.bbc.co.uk/singers
Gabriel Jackson talks to Choir & Organ in the September/October issue – don’t miss it!
The saga continues
24 March 2009
Choir & Organ’s report on the continuing delays in restoring the Royal Festival Hall organ (News & Previews, March/April issue) was followed up by both the national and the specialist press, writes Peter Gillman.
The Guardian’s arts diary splashed with a report that borrowed heavily from ours but which also contained a new statement from Southbank Centre.
Alan Bishop, who became SBC’s CEO in February, was reported as saying that ‘Confirming a timetable [for restoring the organ] is a top priority.’ C&O has now learnt that Bishop also said: ‘I am passionately committed to raising the funds to complete the refurbishment and reinstallation of the organ.’ Bishop’s words at least show greater enthusiasm for restoring the organ than the opaque statements the centre previously released. SBC also said that work to find sponsorship for the restoration continued ‘behind the scenes’. Some £1.5m–£2.3m is required to fund the outstanding work.
Even so, SBC is already certain to miss what was in effect a deadline for completing the work. English Heritage told C&O last month that there was generally a five-year time limit for completing the restoration of listed buildings such as the RFH. As restoration work at the RFH began in the summer of 2005, the notional deadline expires in mid-2010. Mark Venning of Harrison & Harrison has estimated that the remaining restoration requires two years from the moment work begins, which could delay completion to at least 2011. SBC told C&O it was ‘not aware’ of a requirement to complete the work within five years. It added that it would ‘in any event work closely with EH on the refurbishment of the organ’. And it said it would be ‘discussing a realistic completion date with Harrison & Harrison as soon as possible’. It is worth noting that the Grade I listing of the RFH specifically cites the ‘organ built in 1950–53 by Harrison & Harrison of Durham to specification by Ralph Downes and installed behind a screen of pipes designed by Leslie Martin’ – thus confirming, contrary to some suggestions, that the organ is an integral part of the full restoration programme.
It has emerged that the failure to restore the full organ for the RFH reopening in 2008 runs counter to English Heritage’s expectations in another respect. In 2004 an EH spokesperson told C&O: ‘The organ refurbishment is programmed to be completed as part of the overall refurbishment of the auditorium and it will be back there in time for the reopening of the auditorium.’ Asked what would happen if the organ was not ready in time, the spokesperson added: ‘Someone would probably get the sack.’ SBC responded: ‘The full refurbishment of the organ was deferred towards the end of 2004 (November) and subsequently made public.’