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Choir & Organ is the leading independent magazine for all professionals and amateurs in the choral and organ worlds – whether you are an organist, choral director or singer, organ builder, keen listener, or work in publishing or the record industry, Choir & Organ is a must-read wherever you live and work.

Every two months our expert contributors bring you beautifully illustrated features on newly built and restored organs, insights into the lives and views of leading organists, choral directors and composers, profiles of pioneering and well-established choirs, and topical coverage of new research, festivals and exhibitions. In keeping with our commitment to music at the cutting edge, we commission a new work from a young composer in every issue, making the score freely available for download and performance.

Our international news and previews, with breaking stories, key awards and forthcoming premieres, combine with reviews of the latest CDs, DVDs and sheet music, and listings of recitals, festivals and courses, to keep you up to date with events and developments around the world.

The Neoclassical Organ and the Great Aristide Cavaillé-Coll Organ of Saint-Sulpice, Paris

Latest News

British winners at the 2014 Canadian International Organ Competition

14 November 2014

Grand Prize winner David Baskeyfield
Grand Prize winner David BaskeyfieldGeorge Liberman

Two British organists took by storm the Canadian International Organ Competition, the finals of which were held in Montreal in October.

David Baskeyfield (30) won the Grand Prize at the Canadian International Organ Competition 2014; he also took the Royal Canadian College of Organists Prize for the best performance of a piece by a Canadian composer, and the Richard-Bradshaw Audience Prize. His final round programme included works by Mozart, Willan, Isoir, Alain and Widor, performed on the IV/90 Casavant organ in Notre Dame Basilica.

Andrew Dewar (32) took second prize and the Bach Prize. Both Baskeyfield and Dewar are past winners of St Albans International Organ Festival, in 2011 and 2005 (respectively). Third place went to Daria Burlak (27), from Russia.

The competition was adjudicated by an international jury chaired by John Grew (Canada), accompanied by Jacques Boucher (Canada), James David Christie (USA), Stefan Engels (Germany), Janette Fishell (USA), Marnie Giesbrecht (Canada), Olivier Latry (France), Pier Damiano Peretti (Italy and Austria), and Dame Gillian Weir (UK).

The final round was recorded by ICI Musique and highlights were broadcast nationally on 23 October All  competition rounds can be listened to at cbcmusic.ca/CIOC.


College organist and senior lecturer of KCL David Trendell dies

14 November 2014

The classical music world was shocked by the death in October of David Trendell, College Organist, director of the Chapel Choir, and a senior lecturer in music at King’s College, London.

Born in 1964, Trendell was first a chorister, then an alto choral scholar, at Norwich Cathedral. Following a period as organ scholar at Exeter College, Oxford, he became assistant organist at Winchester College and directed the Edington Festival of church music for four years. Moving to Oxford in 1989, he was organist of the University Church of St Mary the Virgin, Oxford, and tutor at three colleges. In 1992 he moved to King’s College, University of London, where among other responsibilities he was responsible for Chapel music, strengthening the choir and taking them on regular tours in Europe, the US and Asia, as well as recording a series of CDs with them, most recently of Desenclos and Poulenc (see Choir & Organ, March/April 2014). He also held choirmaster posts at St Bartholomew the Great, Smithfield, followed by St Mary’s, Bourne Street.

David Trendell died of a brain haemorrhage on 28 October.

New Resource Helps Lincolnshire Sing 

22 September 2014

A new mapping resource on the soundLINCS website helps people find community choral groups in their area.  

Lincolnshire Sings is a mapping tool which displays choral groups across the county, allowing people to filter and search for a group relevant to them and to discover more information, including contact details, rehearsal time and venue.   

The resource was put together by soundLINCS, working with the Lincolnshire Music and Arts Education Hub and Lincolnshire Music service.  The project received over 100 responses from all corners of the county, covering a diverse range of singing opportunities in Lincolnshire, from rock choirs to barbershop quartets, sea shanties to Gilbert and Sullivan.   

Allison Jackson, programme development manager at soundLINCS, commented: ‘Lincolnshire Sings will be a one-stop shop for aspiring singers or teachers wanting to find groups close to them that they can get involved with. We hope it will encourage and enable young people and adults who love to sing the opportunity to easily find out how and where to go to join others with a passion for singing!’   

The map can be viewed on the soundLINCS website at http://www.soundlincs.org/lincolnshire-sings-mapping/. If you know of any other singing or vocal groups in your area not on this map, please contact soundLINCS at info@soundlincs.org or call 01522 510073.

View the resource now

Hope-Jones’s scrapbook discovered

22 September 2014

Robert Hope-Jones, 'Father of the Theatre Organ'
Robert Hope-Jones, 'Father of the Theatre Organ'

The scrapbook of Victorian organ builder Robert Hope-Jones has been donated to the Lancastrian Theatre Organ Trust’s Theatre Organ Heritage Centre, at Eccles, Manchester.   


This 190-page scrapbook was compiled jointly by Hope-Jones’s two Company Secretaries, Arthur Speed and Alfred Foxworthy, and Robert Hope-Jones himself, who has annotated many of the cuttings and letters. It passed from George Andrews, an organ builder (possibly for Norman & Beard in Norwich), to John Candor; Mr Candor has now donated it to the Theatre Organ Heritage Centre, where it is being studied and indexed by Roger Fisher with a view to a future publication.   

Hope-Jones (1859-1914) started work in Birkenhead, then went on to join the Wurlitzer Company in America, earning himself the title ‘Father of the Theatre Organ. The scrapbook covers Hope-Jones’s early period in Birkenhead, with newspaper, periodical clips and letters dating from the 1890s.  

The scrapbook will be on permanent display in the Museum alongside many other Hope-Jones related items, at the LTOT’s Theatre Organ Heritage Centre in Eccles, Manchester.   For more details call 0161 792-1836, or email rcfgroimit@btinternet.com.


Visit the LTOT's website

Composition Competition for 6 organs

22 September 2014

Georges Jansoone

Applications are open for the International Composition Award ‘Organs of the National Palace of Mafra’. The six organs of the Basilica of the National Palace of Mafra (Portugal), built by the two most important Portuguese organ builders of the early 19th century – António Xavier Machado and Cerveira and Joaquim António Peres Fontanes – form a unique set in the world, having been built at the same time and originally designed to be played together.   


The Competition aims to create a new repertoire for the instrumental ensemble, making use of its characteristics. The competition is divided into two categories, one for the composition of an original work (prize 10,000 Euros), and the other for transcription for the six organs (prize 5,000 Euros).   

The jury comprises Roberto Antonello (Italy), Sérgio Azevedo (Portugal), João Vaz (Portugal), and chaired by Bernard Foccroulle (Belgium).

Competition rules and guidelines at: www.cm-mafra.pt/premiocomposicaoorgaos.cfm. Deadline: April 10, 2015 

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