BRITTEN SINFONIA SUCCESS
10 February 2015
Edward Nesbit, 28, has been selected as the winner of OPUS 2015, Britten Sinfonia’s open submission scheme for unrepresented composers.
CHORAL CONDUCTING AWARD
10 February 2015
Gregory Batsleer wins Choral Conducting Award© Eoin Carey
Gregory Batsleer has won the Arts Foundation Award 2015 for Choral Conducting. The award of £10,000 was presented by author Jeanette Winterson at a ceremony on 29 January at the 20th Century Theatre in Notting Hill, London.
RUSSIAN-THEMED CD WINS GRAMMY
10 February 2015
Conspirare director Craig Hella Johnson receives the GRAMMY award in Los Angeles
At the 57th GRAMMY Awards, the Best Choral Performance category was won by The Sacred Spirit of Russia, sung by Conspirare and conducted by Craig Hella Johnson (Harmonia mundi SACD 807526). The CD positions music by Rachmaninoff alongside that by Alexander Kastalsky and Alexander Grechaninov, and was described in C&O’s Reviews section as ‘a lovely recording, in immaculate sound’ (Mar/Apr 2014).
Three Choirs Festival looks to the future
23 January 2015
Three Choirs Festival artistic directors (from left) Geraint Bowen, Adrian Partington and Peter Nardonecopyright Ash Mills
The Three Choirs Festival has established a new foundation to help to secure the future of the festival and open it up for wider participation. The Three Choirs Foundation, which marks the Festival’s 300th anniversary this year, was launched on 22 January at a reception in the House of Lords, London, hosted by Lord Faulkner of Worcester.
Sir Michael Perry, chair of the Three Choirs Foundation, said that he hoped that the new trust would facilitate some large-scale commissioning of new works, something for which the Festival has been known over its three centuries. Other speakers included Dame Felicity Lott, President of the Three Choirs Festival Society, and mezzo-soprano Sarah Connolly CBE, who said: ‘I never take for granted an invitation to sing in one of the three great cathedrals of the Three Choir Festival; indeed my summer would be incomplete without it. It is an honour to be part of this rich history of music-making which has given a platform to so many musicians within the last 300 years …The Three Choirs Festival can never be accused of being stuck in a time warp. It is in the good hands of people who are open to many new ideas while being aware that audiences still want to hear what they know.’
Edward Gardner OBE, outgoing music director of English National Opera and chief conductor designate of the Bergen Philharmonic, sent a message which was read on his behalf by Adrian Partington, current artistic director of the Gloucester Three Choirs Festival: ‘It was the Three Choirs Festival where, as a chorister, I took my very first steps into this amazing international community of classical music. Performing as a youngster alongside the best soloists, the excellent chorus, and singing new works by international composers, opens the eyes like nothing else … I want to express my fullest support for a Foundation which seeks to ensure that choristers of 2115 have the chances I had, and that audiences are still relishing and celebrating our great British tradition for centuries to come. Without the experience gained at the Three Choirs Festival, I would not be conducting at the Coliseum – it’s as simple as that.’
Lay clerks of Gloucester Cathedral, directed by Adrian Partington, entertained guests with a brief but eclectic programme of plainsong, Byrd’s Vigilate and Is you is or is you ain’t my baby, reflecting both the sacred and the secular origins of the Three Choirs Festival.
Initiatives to be undertaken by the Three Choirs Foundation include the support and development of the Three Choirs Festival Youth Choir, founded in 2010, and the creation of Three Choirs Voices, a chamber choir drawn from the Festival Chorus. Funding goals include £50k per annum for bursaries to support the training of cathedral choristers at Hereford, Gloucester and Worcester. www.3Choirs.org/Foundation
Schott London MD dies
15 January 2015
The death on 9 January of
Judith Webb, the managing director of Schott Music’s London office, after a
short period of illness has saddened the music world. In a statement announcing
her passing, Schott Music London described Webb as being ‘hugely liked and
respected throughout the industry’ as well as being ‘a loyal and devoted member
Webb joined Schott London as an administrative assistant in 1980. During her 35 years with the company, she worked her way up through a number of roles before becoming managing director. In addition to serving on Schott London’s board of directors, Webb was a member of the Music Publishers Association board.
Dr Peter Hanser-Strecker, chairman of the Schott Music Group, commented: ‘It is hard to believe that our dear colleague and management board member Judith Webb is no longer with us. I have known and admired her since she started to work at Schott London. We will miss her unique knowledge, her loyalty, her dedication to Schott and we will especially miss the great friend she was.’
Sam Rigby, creative director of Schott London, said: ‘My colleagues and I feel great sadness and shock at Judith’s passing. Her contribution to Schott has been immense, and her assured and confident direction will be much missed here and in the wider industry. We will equally miss the warmth of her personality, her dedication to those around her, and the encouragement and compassion that she showed to all of us. Judith always empowered her colleagues, and received great loyalty in return. She will always be in our thoughts.’