Grahl named director of music at Peterborough Cathedral
16 May 2014
Steven Grahl is to succeed Robert Quinney as director of music at Peterborough Cathedral. He will take up his new post in September 2014.
In addition to being organist and director of music at St Marylebone Parish Church, London, and principal conductor of Guildford Chamber Choir, since 2007 Mr Grahl has been assistant organist at New College, Oxford, to which Quinney has just moved as director of music, following the retirement of Edward Higginbottom.
The Very Revd Charles Taylor, Dean of Peterborough, said: ‘When Robert was appointed to New College Oxford we knew he was going to one of the top musical foundations in the country, so we are very pleased to have attracted some traffic in the opposite direction! … Steven is a man of energy and vision and we look forward to working with him.’
Steven Grahl is a prize-winning graduate of Magdalen College, Oxford,
and the Royal Academy of Music, of which he was elected an Associate in 2010.
He was an interpretation finalist in the International Organ Competitions at St
Albans (UK) in 2011, and in Dudelange (Luxembourg) in 2013. He is a Junior
Fellow of Birmingham Conservatoire, chairman of the Association of Assistant
Cathedral Organists, and a member of the Oxford University Faculty of Music.
St Albans launches 2015 Organ Competitions
14 May 2014
(from left) Stephen Boffey, chairman; The Right Worshipful the Mayor of St Albans City and District, Councillor Annie Brewster, and David Titterington, artistic director
On 9 May, the 2015 St Albans International Organ Festival Competitions were launched in St Albans Old Town Hall.
The competitions – in Interpretation and Improvisation – are open to organists under the age of 33.
Following a recorded pre-selection round, the Competitions will take place on 8–18 July 2015 and will be at the heart of a multi-faceted international arts festival featuring classical music and music from around the world, dance, jazz, talks, demonstrations and an art exhibition.
Special features of the 2015 competition are:
- Interpretation Quarter-finalists will perform a new work commissioned from the renowned composer Paul Patterson.
- For the first time, there will be a concerto final round for the Interpretation Competition, with the celebrated orchestra Wiener Akademie, directed by Martin Haselböck.
- Improvisers will perform ‘in alternatim’ with sung chant and an array of percussion in the Semi-final rounds.
- For the first time, one round of the Interpretation Semi-final will move to Christ Church, Spitalfields, London and feature the recently restored 1735 Richard Bridge organ.
The recorded pre-selection round will be adjudicated by French organist Eric Lebrun, Thomas Trotter and David Titterington, the Festival’s artistic director; jury members for the finals in July 2015 will be Michel Bouvard (France), Hans Davidsson (Sweden), Bernhard Haas (Germany), Martin Haselböck (Austria), James O’Donnell (UK), Jakyung Oh (South Korea) and Carole Terry (USA).
Details of the Competition and the Festival will be available at www.organfestival.com.
Closing date for receiving entries: 16 March 2015
Royal School of Church Music reveals recipients of honorary awards for 2014
18 March 2014
Harry Christophers is to be awarded with a fellowship of the RSCM
The Royal School of Church Music (RSCM) has announced the recipients of this year’s honorary awards for outstanding contributions to church music.
Harry Christophers, founder and conductor of The Sixteen, is to be awarded with a fellowship of the RSCM for his work of bringing Renaissance church music in particular, back into the churches and cathedrals for which it was written.
Others who will also be awarded with RSCM fellowships include Dr Stephen Darlington, director of music at Christ Church Cathedral, Oxford, recognised for maintaining exemplary daily standards of service and performance; foundation dean of Liverpool Hope University and long-standing member of the RSCM council Dr Ian Sharp; and Professor JR (Dick) Watson, Emeritus Professor of English at Durham University, for his contribution to the editing of hymns.
Andrew Reid, Director of the RSCM says of this year’s honorary awards: ‘These awards are made to those who have given great service to church music, whether through the work of the RSCM, or in a number of other ways. I would like to thank everyone who submitted nominations of those whose contribution at local, area, national or international level too often goes unrecognised. We look forward to celebrating the work of this year’s recipients at our Celebration Day’.
The Celebration Day for 2014’s winners will take place at Hereford Cathedral on 4 October 2014. Recipients will be presented with their awards by chairman of the RSCM Council Lord Brian Gill. ‘It always gives me great pleasure to personally present these awards,’ Lord Gill says. ‘They are our annual opportunity to honour and thank those who have given distinguished service to the cause of church music and to RSCM in particular.’
For the full list of those to receive Honorary Awards from the Royal School of Church Music, visit the website.
Royal Holloway music department celebrates music award with The Queen
18 March 2014
Royal Holloway becomes the first music department to receive a Regius Professorship
The Queen and The Duke of Edinburgh visited Royal Holloway, University of London on 14 March to celebrate the Diamond Jubilee Regius Professorship of Music, which was awarded by the Queen in 2013.
Twelve Regius Professorships were presented to university departments as part of the Diamond Jubilee, with Professor Julian Johnson awarded the first title of Regius Professor of Music in April 2013. Johnson was head of the department of music from 2010 to 2013.
A ceremony took place to recognise Royal Holloway’s music department’s exceptional standards of teaching and research. A plaque was unveiled by The Queen to mark the visit and Regius Professorship.
Professor Paul Layzell, principal of Royal Holloway, said of the visit: ‘It was a great honour to have Her Majesty The Queen and His Royal Highness The Duke of Edinburgh here at Royal Holloway to celebrate the Regius Professorship. We hope she enjoyed her visit here as much as we enjoyed having her.’
Peterborough Cathedral’s music director takes prestigious post at University of Oxford
18 March 2014
Robert Quinney to depart from Peterborough CathedralEric Richmond
The director of music at Peterborough Cathedral, Robert Quinney, has been appointed as organist and tutorial fellow in music at New College, Oxford, and as a lecturer in the University of Oxford Music Faculty.
Undertaking this prestigious position will see Quinney succeed Professor Edward Higginbottom who has held the role for 37 years.
Quinney, who began working at Peterborough Cathedral in Easter 2013, said of his departure: ‘Whilst I am very sad to be leaving Peterborough Cathedral after such a short time, when I was invited to apply for the appointment at New College I knew that a position such as this comes up only once in a generation.
‘Peterborough Cathedral is a place with tremendous potential, borne of a real commitment to high musical and liturgical standards. It has been a tremendous pleasure to work here, with so many talented colleagues and such a supportive community, and I will continue to devote all my energies to the development of the cathedral’s music in the time left before we move. I have no doubt that an excellent field of candidates will be attracted to the post.’
The Dean, the Very Revd Charles Taylor, said that it was ‘very sad to be losing Robert after so short a time’. But reflected on Quinney’s achievements during his time at the cathedral: ‘Already he has made a significant contribution to the continuing development of music here at the cathedral and in the city. His recent live broadcasts on BBC Radio 3 were widely acclaimed throughout the region.
‘We are of course pleased for Robert and actually quite proud that Peterborough has proved to be a springboard to such a significant job in the musical world. We wish him and his family every blessing as they prepare for the move. Meanwhile we look forward to continuing to work with Robert as he puts his energies into the development of the music and life of the cathedral.’