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Choir & Organ is the leading independent magazine for all professionals and amateurs in the choral and organ worlds – whether you are an organist, choral director or singer, organ builder, keen listener, or work in publishing or the record industry, Choir & Organ is a must-read wherever you live and work.

Every two months our expert contributors bring you beautifully illustrated features on newly built and restored organs, insights into the lives and views of leading organists, choral directors and composers, profiles of pioneering and well-established choirs, and topical coverage of new research, festivals and exhibitions. In keeping with our commitment to music at the cutting edge, we commission a new work from a young composer in every issue, making the score freely available for download and performance.

Our international news and previews, with breaking stories, key awards and forthcoming premieres, combine with reviews of the latest CDs, DVDs and sheet music, and listings of recitals, festivals and courses, to keep you up to date with events and developments around the world.


Pull out all the stops

Latest News

King's goes green

2 April 2013

The Choir of King's College, Cambridge, famous around the world in particular for its Christmas broadcasts, has announced that it is to ditch the iconic red cassock in favour of new green vestments. In a statement, director of music Stephen Cleobury confirmed the changes are related to new music commissions for 2013: ‘Every year the Choir performs a number of new commissions by some of the world's leading composers. The only trouble is that modern performance directions can be very specific. This year's Christmas broadcast composer has gone one step ahead of the pack and specified the colour of the clothes to be worn during performance. I'm not sure what the Dean will make of it.’

The surprise announcement from King’s was issued on April 1.

Graeme Kay

Colin Walsh Live on Radio 3

22 March 2013

Walsh will perform from Lincoln Cathedral in April
Walsh will perform from Lincoln Cathedral in April

BBC Radio 3 is to broadcast a live organ recital outside the Proms season, for the first time in more than a decade.

Colin Walsh will perform from Lincoln Cathedral in the network's prestigious Radio 3 Live in Performance strand, from 7.30 to 9pm on Monday 15 April.

Walsh, who is the Cathedral's organist emeritus, pursued a three-year course of study with Jean Langlais at St.Clotilde in Paris; this inspired him to specialise in French symphonic and modern music, in particular the works of Franck, Vierne and Langlais. All of these composers, along with Tournemire, Dupré, Duruflé and Messiaen will feature in the live recital.

Organ music has become something of a backwater on the BBC's classical music station - Walsh's recital is thought to be the first live relay in the main schedule since a programme associated with the opening of the new organ in Symphony Hall, Birmingham, over ten years ago. This followed an 'Organ Night' when Gillian Weir broadcast live from Stockholm and Olivier Latry from Truro Cathedral in a single evening. 

Booking details for Colin Walsh's Lincoln recital are at http://lincolncathedral.com/events/radio-3-concert/    

Lindsay Thomson

EIF choral programme favours tried-and-tested 

13 March 2013

Gergiev will conduct the Edinburgh Festival Chorus in an all-Prokofiev evening
Gergiev will conduct the Edinburgh Festival Chorus in an all-Prokofiev eveningChris Christodoulou/BBC

Christoph Rousset will showcase instruments preserved in Edinburgh’s St Cecilia’s Hall Museum
Christoph Rousset will showcase instruments preserved in Edinburgh’s St Cecilia’s Hall Museum

The Edinburgh International Festival has announced its programme for 2013. The roster of concerts for the 'official' festival takes a conservative approach to choral music. For opening night (9 Aug), the all-conquering Russian maestro Valery Gergiev conducts the Edinburgh Festival Chorus and the Royal Scottish National Orchestra in an all-Prokofiev evening including the dramatic cantata Alexander Nevsky with the mezzo-soprano Yulia Matochkina.

The following evening (10 Aug) vocal group Synergy Voices will take part in a performance of Luciano Berio's Sinfonia for orchestra and eight amplified voices, with the BBC Scottish Symphony Orchestra, conducted by Ilan Volkov.

The National Youth Choir of Scotland performs Fauré’s Requiem (17 Aug) with the Scottish Chamber Orchestra and soloist Sir Thomas Allen.

The Estonian Philharmonic Chamber Choir pays a visit (29 Aug) with their conductor Daniel Reuss, performing Rachmaninov's All-Night Vigil, Arvo Pärt's Two Slavonic Psalms, Alfred Schnittke's Three Sacred Hymns, and three lush, Romantic works by Estonian composer Cyrillus Kreek. The festival concludes with a performance of Verdi's Requiem (31 Aug): Donald Runnicles conducts the BBC Scottish Symphony Orchestra and the Festival Chorus, with soloists Erin Wall (soprano), Luciana D’Intino (mezzo), Aleksandrs Antonenko (tenor) and the Metropolitan Opera's formidable Alberich, Eric Owens (bass).

Of interest to keyboard fans will be two recitals in which Christoph Rousset showcases instruments preserved in Edinburgh’s St Cecilia’s Hall Museum. On Thursday 22 August, he plays music by Frescobaldi, Scarlatti and CPE Bach on three contrasting instruments: a superbly decorated polygonal virginal made by Alessandro Bertolotti in Verona in 1586; a single-keyboard harpsichord built around 1620 in Naples; and a beautifully painted double-keyboard harpsichord made in France by Luigi Baillon in 1755. The following afternoon, Rousset selects two instruments for a recital of Purcell, Louis Couperin, Rameau, Balbastre and Royer: as well as a single-keyboard harpsichord made in London by Thomas Barton in 1709, he performs on Pascal Taskin’s Parisian double-keyboard harpsichord from 1769, an instrument that has spawned countless copies and is widely admired as probably the world’s most famous harpsichord.

www.eif.co.uk

Graeme Kay

Cardiff Pipeathon

12 March 2013

Tabernacle Church, in Cardiff’s city centre, is launching a Pipeathon on Saturday 16 March (9am-9pm) to help raise the remaining £15,000 of the total £100,000 cost of restoring its organ. Three organists, dressed in Wales rugby shires, will each play 3-hour sets in the run up to the Wales v England Six Nations rugby match.

 

The organ’s total piping is ‘divided’ into sections which can be sponsored for £1 per foot.

 

The organ was built in 1907 by the Bath firm of Griffen & Stroud and benefited from a substantial donation from Sir Alfred Thomas MP (later Lord Pontypridd), a faithful deacon at Tabernacle from 1883 until his death in 1927. By 1972 the organ was in a poor state of repair, and J.W. Walker & Sons of London were employed to change the original tracker action to electro-pneumatic, along with other essential repair work. While celebrating the organ’s centenary in 2007, it was obvious that many parts of the instrument – some of them original – were showing their age. Henry Willis & Sons, Liverpool were chosen to carry out the restoration.  

 

The event on 16 March is open to the public.

RSCM appoints new Council members

8 March 2013

The Royal School of Church Music has welcomed two new members to its governing body.   


Rowan Morton Gledhill has been involved in church and cathedral music throughout her life, and in her career as a broadcaster and journalist has produced over 50 edition’s of BBC TV’s Songs of Praise programmes.   

Robin Thomas trained as a classical musician in Canada and served on the boards of the Association of Canadian Choral Conductors and the British Columbia Choral Federation. He will also bring to Council his experience as managing director of Morgen Thomas Ltd, which provides fundraising consultancy and project management services to government, public and voluntary organisations worldwide.   

RSCM Council chair Lord Gill commented, ‘Rowan brings to the RSCM considerable skills and experience in modern-day media and communications. And as one of Europe’s most experienced consultants, we are very fortunate indeed to have Robin to advise on fundraising and other matters. We welcome them both.’


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