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Choir & Organ is the leading independent magazine for all professionals and amateurs in the choral and organ worlds – whether you are an organist, choral director or singer, organ builder, keen listener, or work in publishing or the record industry, Choir & Organ is a must-read wherever you live and work.

Every two months our expert contributors bring you beautifully illustrated features on newly built and restored organs, insights into the lives and views of leading organists, choral directors and composers, profiles of pioneering and well-established choirs, and topical coverage of new research, festivals and exhibitions. In keeping with our commitment to music at the cutting edge, we commission a new work from a young composer in every issue, making the score freely available for download and performance.

Our international news and previews, with breaking stories, key awards and forthcoming premieres, combine with reviews of the latest CDs, DVDs and sheet music, and listings of recitals, festivals and courses, to keep you up to date with events and developments around the world.


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Latest News

Turnage cantata premiere in City of Culture

2 July 2013

The organ of the restored Derry-Londonderry Guildhall
The organ of the restored Derry-Londonderry Guildhall

The first performance of the Derry-Londonderry UK City of Culture classical season took place on 2 July – the world premiere of At Sixes and Sevens, a newly-commissioned cantata performed concurrently in the two Guildhalls of London and Derry-Londonderry.

The cantata consists of nine movements written by the Pulitzer-Prize winning Northern Irish poet Paul Muldoon and the composer Mark-Anthony Turnage.

The work – the first to be performed in the newly reopened Derry-Londonderry Guildhall following a £9.5m restoration – was interspersed with further sections devised by communities in Derry-Londonderry and London. At Sixes and Sevens was performed by Camerata Ireland, the London Symphony Orchestra, soloists, choirs and specially commissioned community ensembles.

The Guildhall restoration included work on the display pipes of the 1914 William Hill organ, which now feature 23-carat Italian gold leaf and an acorn design.

Graeme Kay

Michael Brewer stripped of OBE

30 May 2013

Michael Brewer, former director of music at Chetham's School of Music and the National Youth Choir, has been stripped of his Order of the British Empire (OBE).

In March, Brewer was jailed for abusing a Chetham's pupil, Frances Andrade, from the age of 14, between 1978 and 82; Ms Andrade killed herself after giving evidence at his trial at Manchester Crown Court.

In a separate development, it has been announced that Brewer is to seek leave to appeal against the length of his six-year sentence. The application will be considered by the Lord Chief Justice, sitting with two other judges, on 12 June.

SONUS SUCCEEDS

20 May 2013

Winner: David J. Loxley-Blount has come away with first prize for his composition Sonus Repercussus
Winner: David J. Loxley-Blount has come away with first prize for his composition Sonus RepercussusHelen Loxley-Blount

The 2013 Choir & Organ Composition Competition, in partnership with St Albans International Organ Festival, has been won by David J. Loxley-Blount with his organ work Sonus Repercussus. David told C&O, ‘The work was inspired by large acoustic spaces … homophonic passages alternate with contrasting multi-section episodes which vary in character and texture in a quasi-rondo form.’

Composer Judith Bingham, on the panel of judges, commented, ‘The piece is idiomatically written, but always avoiding the obvious and with a lot of potential for colour without becoming impossibly difficult at any time.’

David, who comes from Finchley, London, is an undergraduate student on the BA (Hons) Music [Composition] course at Middlesex University. He has won several prizes in national composition competitions, and has had works premiered by the Allegri String Quartet and North London Chorus.

Sonus Repercussus will be premiered on in St Albans Cathedral on Saturday 20 July, during the Prizewinners Concert of St Albans International Organ Festival. 

www.organfestival.com

Choir fees row cited in Llandaff Dean resignation

17 May 2013

Dean Henderson shortly after her appointment
Dean Henderson shortly after her appointment

The shock resignation of the first woman Dean of Llandaff, the Rev Janet Henderson, after only two months in post, has been accompanied by an official wall of silence regarding the reasons.

But a source told the Wales Online website that, 'The Dean has been affected by the opposition she has had from some clergy who object to the fact that a woman was appointed.'

The source went on to speculate that, 'The fees row relating to Songs of Praise may have been the last straw.'

The Llandaff Cathedral editions of Songs of Praise are produced by Cardiff-based independent TV production company Avanti. Responding to the allegation that the lay clerks were being underpaid, Dean Henderson told Wales Online that the Cathedral was not interested in making money out of appearing on Songs of Praise, which she described as a 'low budget' programme.

But Adam Poole, Cathedral lay clerk for more than 10 years, responded that, 'Avanti is being paid £60,000 to make each of the three programmes – a total of £180,000. In these circumstances, a fee of just £110 to each lay clerk is even more unacceptable.'

A spokeswoman for the BBC said: 'The independent production company are still in discussion with the Cathedral about the choir’s involvement and the fees involved that will be in line with agreed industry rates.'

Lindsay Thomson

Royal rededication 

9 May 2013

Anthony Devlin/PA Wire

HM The Queen and HRH Prince Philip attended a service of Choral Evensong at the Temple Church to mark the rededication of the organ, following a two-year, £750,000 programme of restoration by Harrison & Harrison of Durham. The royal couple were welcomed by the treasurers of the Inner and Middle Temple, Simon Thorley QC and Christopher Symons QC, and viewed an exhibition showing the progress of the restoration project.

The present organ was donated to the Temple in 1954 by Lord Glentanar who had commissioned the instrument from Harrisons in 1924 for the ballroom in Glen Tanar House, near Aboyne, Aberdeenshire. The case, behind which is the four-manual organ complete with three 32-ft stops, is modelled on drawings of the Temple’s Father Smith organ of 1688.

The packed congregation heard music by Gabriel Jackson and Sir Charles Stanford; director of music James Vivian is reported to have amused the Queen by likening the temporary replacement electronic instrument to a 'giant karaoke machine'.

But the joint chairs of the organ fund appeal committee, Sir Anthony May and Michael Blair QC, said, 'The organ has not simply been repaired; it has been restored to its original and proper glory.'


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