St Albans Organ Festival

Wednesday, 19th June, 2013

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Choir & Organ, cover from current issue

May/June 2013 on sale from 30 April

Choir & Organ is the leading independent magazine for all professionals and amateurs in the choral and organ worlds – whether you are an organist, choral director or singer, organ builder, keen listener, or work in publishing or the record industry, Choir & Organ is a must-read wherever you live and work.

Every two months our expert contributors bring you beautifully illustrated features on newly built and restored organs, insights into the lives and views of leading organists, choral directors and composers, profiles of pioneering and well-established choirs, and topical coverage of new research, festivals and exhibitions. In keeping with our commitment to music at the cutting edge, we commission a new work from a young composer in every issue, making the score freely available for download and performance.

Our international news and previews, with breaking stories, key awards and forthcoming premieres, combine with reviews of the latest CDs, DVDs and sheet music, and listings of recitals, festivals and courses, to keep you up to date with events and developments around the world.

Music world mourns death of Carlo Curley, 59

15 August 2012

The organ world has joined with countless music lovers to express shock at the sudden death of American organist Carlo Curley.

Known as 'the Pavarotti of the organ', Curley had made his home in the UK, where he became widely known for his larger-than-life personality and outstanding gifts as a performer - these were expressed to the full for the thousands who came to hear him at his Alexandra Palace concerts in the 1970s, in which he and guest organists performed on a large Allen touring organ in the grand hall which once housed one of the most famous Willis organs ever built. For a televised event at 'Ally Pally', Curley - who always signed himself 'Carlissimo' in his emails and blog posts - made his stately progress to the stage atop a large Cadillac convertible.

Curley was born into a musical family in 1952 and attended the North Carolina School of the Arts; his mission to promote the organ and organ music to the masses made him the natural heir of Virgil Fox, with whom he studied. But the seriousness with which Curley approached his music-making was further encouraged by the friendship and mutual respect which flourished when he came to the UK and studied with Sir George Thalben-Ball.

Through sound recordings, TV, and personal appearances, Carlo Curley became a household name throughout the world - as well as the UK, he found strong friendships on the continent of Europe, particularly Denmark - his tireless advocacy of the digital organ in no way diminished the pleasure and satisfaction he derived from playing any organ , from small tracker instruments to large cathedral behemoths. Among many honours, he was the first classical organist to give a solo recital at the White House, invited by US President Jimmy Carter. His insightful and entertaining autobiography, In The Pipeline was published by HarperCollins in 1998.

Curley was a popular guest in broadcasting studios, prized for his forthright opinions expressed with gusto and ineffable Southern charm. A post on the Allen Organs UK site said simply, 'His inimitable style of presentation, consummate musicianship, warm wit and charismatic personality illuminated his concerts and endeared him to all he met. May he rest in peace.'

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