Choir & Organ, cover from current issue

January/February 2016 issue on sale now

Choir & Organ is the leading independent magazine for all professionals and amateurs in the choral and organ worlds – whether you are an organist, choral director or singer, organ builder, keen listener, or work in publishing or the record industry, Choir & Organ is a must-read wherever you live and work.

Every two months our expert contributors bring you beautifully illustrated features on newly built and restored organs, insights into the lives and views of leading organists, choral directors and composers, profiles of pioneering and well-established choirs, and topical coverage of new research, festivals and exhibitions. In keeping with our commitment to music at the cutting edge, we commission a new work from a young composer in every issue, making the score freely available for download and performance.

Our international news and previews, with breaking stories, key awards and forthcoming premieres, combine with reviews of the latest CDs, DVDs and sheet music, and listings of recitals, festivals and courses, to keep you up to date with events and developments around the world.

The Neoclassical Organ and the Great Aristide Cavaillé-Coll Organ of Saint-Sulpice, Paris

Britten’s Friday Afternoons reborn in Centenary celebrations

17 September 2012

A highlight of next year’s Britten Centenary celebrations will be an Aldeburgh Music-sponsored nationwide singing project which aims to get 75,000 children in the UK to sing Britten’s music on 22 November 2013 – the exact centenary of his birth.

Composed between 1933 and 1935, Britten’s Friday Afternoons is a cycle of 12 songs composed by Britten for the school in Prestatyn, Wales, where his brother was headmaster. The composer’s nephew, Alan Britten, remarked: ‘You have to remember that in those days, my uncle was not the world famous musician we all known his as now, he was just the headmaster’s brother who was visiting.’ Featured recently in Wes Anderson’s film, Moonrise Kingdom, the music is easy to sing and is accompanied by witty piano parts.

Aldeburgh Music conceived the project to highlight Britten’s legacy of work for young people and to encourage more singing in schools – by coordinating with a network of venues, festivals, regional and national opera companies, and providing online resources for teachers through a dedicated website, the aim is to rekindle the spark of singing in schools across the country.


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