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Choir & Organ is the leading independent magazine for all professionals and amateurs in the choral and organ worlds – whether you are an organist, choral director or singer, organ builder, keen listener, or work in publishing or the record industry, Choir & Organ is a must-read wherever you live and work.

Every two months our expert contributors bring you beautifully illustrated features on newly built and restored organs, insights into the lives and views of leading organists, choral directors and composers, profiles of pioneering and well-established choirs, and topical coverage of new research, festivals and exhibitions. In keeping with our commitment to music at the cutting edge, we commission a new work from a young composer in every issue, making the score freely available for download and performance.

Our international news and previews, with breaking stories, key awards and forthcoming premieres, combine with reviews of the latest CDs, DVDs and sheet music, and listings of recitals, festivals and courses, to keep you up to date with events and developments around the world.

The Neoclassical Organ and the Great Aristide Cavaillé-Coll Organ of Saint-Sulpice, Paris

EIF choral programme favours tried-and-tested 

13 March 2013

Gergiev will conduct the Edinburgh Festival Chorus in an all-Prokofiev evening
Gergiev will conduct the Edinburgh Festival Chorus in an all-Prokofiev eveningChris Christodoulou/BBC

Christoph Rousset will showcase instruments preserved in Edinburgh’s St Cecilia’s Hall Museum
Christoph Rousset will showcase instruments preserved in Edinburgh’s St Cecilia’s Hall Museum

The Edinburgh International Festival has announced its programme for 2013. The roster of concerts for the 'official' festival takes a conservative approach to choral music. For opening night (9 Aug), the all-conquering Russian maestro Valery Gergiev conducts the Edinburgh Festival Chorus and the Royal Scottish National Orchestra in an all-Prokofiev evening including the dramatic cantata Alexander Nevsky with the mezzo-soprano Yulia Matochkina.

The following evening (10 Aug) vocal group Synergy Voices will take part in a performance of Luciano Berio's Sinfonia for orchestra and eight amplified voices, with the BBC Scottish Symphony Orchestra, conducted by Ilan Volkov.

The National Youth Choir of Scotland performs Fauré’s Requiem (17 Aug) with the Scottish Chamber Orchestra and soloist Sir Thomas Allen.

The Estonian Philharmonic Chamber Choir pays a visit (29 Aug) with their conductor Daniel Reuss, performing Rachmaninov's All-Night Vigil, Arvo Pärt's Two Slavonic Psalms, Alfred Schnittke's Three Sacred Hymns, and three lush, Romantic works by Estonian composer Cyrillus Kreek. The festival concludes with a performance of Verdi's Requiem (31 Aug): Donald Runnicles conducts the BBC Scottish Symphony Orchestra and the Festival Chorus, with soloists Erin Wall (soprano), Luciana D’Intino (mezzo), Aleksandrs Antonenko (tenor) and the Metropolitan Opera's formidable Alberich, Eric Owens (bass).

Of interest to keyboard fans will be two recitals in which Christoph Rousset showcases instruments preserved in Edinburgh’s St Cecilia’s Hall Museum. On Thursday 22 August, he plays music by Frescobaldi, Scarlatti and CPE Bach on three contrasting instruments: a superbly decorated polygonal virginal made by Alessandro Bertolotti in Verona in 1586; a single-keyboard harpsichord built around 1620 in Naples; and a beautifully painted double-keyboard harpsichord made in France by Luigi Baillon in 1755. The following afternoon, Rousset selects two instruments for a recital of Purcell, Louis Couperin, Rameau, Balbastre and Royer: as well as a single-keyboard harpsichord made in London by Thomas Barton in 1709, he performs on Pascal Taskin’s Parisian double-keyboard harpsichord from 1769, an instrument that has spawned countless copies and is widely admired as probably the world’s most famous harpsichord.


Graeme Kay

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