EIF choral programme favours tried-and-tested
13 March 2013
Gergiev will conduct the Edinburgh Festival Chorus in an all-Prokofiev eveningChris Christodoulou/BBC
Christoph Rousset will showcase instruments preserved in Edinburgh’s St Cecilia’s Hall Museum
The Edinburgh International Festival has announced its programme for 2013. The roster of concerts for the 'official' festival takes a conservative approach to choral music. For opening night (9 Aug), the all-conquering Russian maestro Valery Gergiev conducts the Edinburgh Festival Chorus and the Royal Scottish National Orchestra in an all-Prokofiev evening including the dramatic cantata Alexander Nevsky with the mezzo-soprano Yulia Matochkina.
The following evening (10 Aug) vocal group Synergy Voices will take part in a performance of Luciano Berio's Sinfonia for orchestra and eight amplified voices, with the BBC Scottish Symphony Orchestra, conducted by Ilan Volkov.
The National Youth Choir of Scotland performs Fauré’s Requiem (17 Aug) with the Scottish Chamber Orchestra and soloist Sir Thomas Allen.
The Estonian Philharmonic Chamber Choir pays a visit (29 Aug) with their conductor Daniel Reuss, performing Rachmaninov's All-Night Vigil, Arvo Pärt's Two Slavonic Psalms, Alfred Schnittke's Three Sacred Hymns, and three lush, Romantic works by Estonian composer Cyrillus Kreek. The festival concludes with a performance of Verdi's Requiem (31 Aug): Donald Runnicles conducts the BBC Scottish Symphony Orchestra and the Festival Chorus, with soloists Erin Wall (soprano), Luciana D’Intino (mezzo), Aleksandrs Antonenko (tenor) and the Metropolitan Opera's formidable Alberich, Eric Owens (bass).
Of interest to keyboard fans will be two recitals in which Christoph Rousset showcases instruments preserved in Edinburgh’s St Cecilia’s Hall Museum. On Thursday 22 August, he plays music by Frescobaldi, Scarlatti and CPE Bach on three contrasting instruments: a superbly decorated polygonal virginal made by Alessandro Bertolotti in Verona in 1586; a single-keyboard harpsichord built around 1620 in Naples; and a beautifully painted double-keyboard harpsichord made in France by Luigi Baillon in 1755. The following afternoon, Rousset selects two instruments for a recital of Purcell, Louis Couperin, Rameau, Balbastre and Royer: as well as a single-keyboard harpsichord made in London by Thomas Barton in 1709, he performs on Pascal Taskin’s Parisian double-keyboard harpsichord from 1769, an instrument that has spawned countless copies and is widely admired as probably the world’s most famous harpsichord.