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November/December 2014 on sale now

Choir & Organ is the leading independent magazine for all professionals and amateurs in the choral and organ worlds – whether you are an organist, choral director or singer, organ builder, keen listener, or work in publishing or the record industry, Choir & Organ is a must-read wherever you live and work.

Every two months our expert contributors bring you beautifully illustrated features on newly built and restored organs, insights into the lives and views of leading organists, choral directors and composers, profiles of pioneering and well-established choirs, and topical coverage of new research, festivals and exhibitions. In keeping with our commitment to music at the cutting edge, we commission a new work from a young composer in every issue, making the score freely available for download and performance.

Our international news and previews, with breaking stories, key awards and forthcoming premieres, combine with reviews of the latest CDs, DVDs and sheet music, and listings of recitals, festivals and courses, to keep you up to date with events and developments around the world.


Pull out all the stops

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The Neoclassical Organ and the Great Aristide Cavaillé-Coll Organ of Saint-Sulpice, Paris

Turnage cantata premiere in City of Culture

2 July 2013

The organ of the restored Derry-Londonderry Guildhall
The organ of the restored Derry-Londonderry Guildhall

The first performance of the Derry-Londonderry UK City of Culture classical season took place on 2 July – the world premiere of At Sixes and Sevens, a newly-commissioned cantata performed concurrently in the two Guildhalls of London and Derry-Londonderry.

The cantata consists of nine movements written by the Pulitzer-Prize winning Northern Irish poet Paul Muldoon and the composer Mark-Anthony Turnage.

The work – the first to be performed in the newly reopened Derry-Londonderry Guildhall following a £9.5m restoration – was interspersed with further sections devised by communities in Derry-Londonderry and London. At Sixes and Sevens was performed by Camerata Ireland, the London Symphony Orchestra, soloists, choirs and specially commissioned community ensembles.

The Guildhall restoration included work on the display pipes of the 1914 William Hill organ, which now feature 23-carat Italian gold leaf and an acorn design.

Graeme Kay

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