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International Piano is a unique bi-monthly publication written for and loved by pianists and discerning fans of piano music all over the world.

Each bi-monthly issue includes interviews with top pianists and rising talent, performance tips, news, features, analysis and comment. You will find exclusive tutorials by concert artists, in-depth articles on piano recordings and repertoire, masterclasses on piano technique, and festival, concert and competition reports from around the globe.

Every edition includes a five-page Symposium, hosted by Jeremy Siepmann, which brings together leading experts and international pianists for a round-table debate.

Our comprehensive reviews section examines the latest recordings, books, DVDs, sheet music and concerts.

Plus, each issue includes free sheet music – often rare or newly released works – for readers to add to their collections.


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Music Pages

INTERNATIONAL PIANO SERIES 2015/16

Proud Media Partner of the International Piano Series

Southbank Centre, London

View the 2015/16 brochure

Competition Calendar

See the major 2014 and 2015 piano competition deadlines.

Summer School Round-up

See the major 2015 international summer school offerings.

Headlines

Read all the latest news or see individual stories by clicking the links below.

View all latest news.


Contents for International Piano

Tamara Stefanovich
Tamara Stefanovich (© Marco Borggreve)

JAN/FEB 2016

Touching complexity
Yugoslav-born pianist Tamara Stefanovich shares her passion for music with the power to irritate, shock and amaze

Mutual benefits
We explore the volatile yet often fruitful relationship between composers and their foremost interpreters

À la française
Celebrating a new generation of French pianists in London

Playing with fire
Why the wild wizardry of Vladimir Horowitz continues to divide critics

Warsaw concertos
Poetry and panache at the Chopin Competition

Symposium
Subtlety and excess in the music of Messiaen

View the full contents page for the latest issue here.


Editorial

The latter part of 2015 proved a fruitful time for piano competitions, with three of the most important – Tchaikovsky, Leeds and Chopin – all falling within the space of a few months. The Tchaikovsky, arguably the biggest of them all, took the lion’s share of publicity with record numbers of viewers on the streaming channel Medici.tv, but the others also attracted widespread interest. Music blogs and online forums were awash with speculation and debate about the juries’ decisions, while some questioned the whole enterprise of competitions for placing too much emphasis on technical perfection and flashy showmanship...

Continue reading the editorial...


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