International Piano is a unique bi-monthly publication written for and loved by pianists and discerning fans of piano music all over the world.

Each bi-monthly issue includes interviews with top pianists and rising talent, performance tips, news, features, analysis and comment. You will find exclusive tutorials by concert artists, in-depth articles on piano recordings and repertoire, masterclasses on piano technique, and festival, concert and competition reports from around the globe.

Every edition includes a five-page Symposium, hosted by Jeremy Siepmann, which brings together leading experts and international pianists for a round-table debate.

Our comprehensive reviews section examines the latest recordings, books, DVDs, sheet music and concerts.

Plus, each issue includes free sheet music – often rare or newly released works – for readers to add to their collections.

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Latest News

Steinway to unveil its 600,000th piano in London

16 June 2015, Katy Wright


'The Fibonacci', the 600,000th piano made by Steinway & Sons, will be on show in London from 24 June.

Designed by Frank Pollard, the instrument features the Fibonacci spiral on the veneer and is made entirely from natural Macassar ebony. From design to finish, the Fibonacci took over 6,000 hours over a four-year period to make.

The instrument is a Steinway & Sons Model D, nine foot concert grand, priced at $2.4m. The company will create up to six Model B pianos inspired by the same design.

Darren Marshall, chief marketing officer of Steinway, said: 'The Fibonacci spiral is a representation of perfect proportions and natural beauty. Without a doubt, Frank captured those qualities in this piano, creating a work of art for the eyes and the ears.'

Steinway artist Lang Lang became the first artist to perform on the Fibonacci at Steinway & Sons' showroom in Beverly Hills.

The 100,000th Steinway & Sons piano is part of the permanent collection at the Smithsonian Institute in Washington D.C., while the 300,000th piano is currently in the East Room of the White House.

The Fibonacci will be on display at Steinway & Sons stand at the Masterpiece London art fair.

Steinway & Sons

Barenboim launches new piano

26 May 2015, London, UK

Barenboim-Maene Concert Grand
Barenboim-Maene Concert Grand

(Photos: Chris Maene)

Report by Katy Wright

Daniel Barenboim has unveiled a new piano at the Royal Festival Hall, London. The Barenboim-Maene Concert Grand was conceived and commissioned by Barenboim, and built by the Belgian instrument maker Chris Maene with support from Steinway & Sons.

Barenboim explained that the model reconciles the quality of a Steinway with the varied colour registers of 19th-century instruments. The distinguishing features of the instrument are its straight strings, double bridge and horizontal soundboard veins.

The project began after Barenboim played Franz Liszt’s restored grand piano in Siena, and was struck by its transparency and clarity. Barenboim collaborated with Maene, using parts from Steinway, to realise his vision. Only two of the instruments currently exist, with the creation process taking 18 months and approximately 4,000 hours of labour.

Barenboim has already performed publicly on the instrument, having played complete Schubert cycles in Paris and Vienna. He performs the Schubert cycles in London between 27 May and 2 June 2015. Barenboim took pains to emphasise that the new model is not in any way better than any other, but merely an alternative. Barenboim said: ’It’s like falling in love – you want to go everywhere with that person!’

Barenboim will perform a complete cycle of Schubert’s piano sonatas over four concerts at the Southbank centre between 27 May and 2 June. He will perform both Brahms concertos on the instrument at Royal Festival Hall in January 2016.

Find fame and fortune with Yamaha’s ‘b in the Movies’ video competition

15 May 2015

2015 marks the 10th Anniversary of Yamaha’s award-winning b series pianos. To celebrate this milestone the company has launched ‘b in the movies’, a fun and entertaining video competition with ten prizes of £800 up for grabs.
To enter, just upload a short video of yourself enjoying and playing a b series piano. The clip can be shot anywhere: in a music shop, in a school, at home or at one of a number of locations up and down the country where Yamaha will be installing pianos during the competition. Upload your video, get your friends and family voting, and you could win £800 as well as gaining hundreds of new fans! There's even an extra £800 on offer for the video that receives the most public votes.
The top 20 most entertaining entries, selected by the public, will be whittled down to 10 winners by Yamaha's panel of judges. The panel includes Yamaha artist Jamie Cullum, who said: 'This is a brilliant competition that not only encourages people to play the piano but for others to interact by watching. The more fans and views people get playing their Yamaha b series, all the better for encouraging children, beginners or even accomplished players to share their performances.'
The competition closes on 1st October, so there's plenty of time to capture your video, upload it to YouTube or Vimeo and enter at www.facebook.com/YamahaPianosEurope.


1 | FIND a b Series

You'll most likely find one at your local piano store, or music school. You might have one at home and they've even been found at train stations! There are three models in the b Series range to choose from (b1, b2 and b3) and you can use any one of them to take part in this competition.

2 | SHOOT your video

It's your 'b' movie so film yourself or others having fun, giving a solo performance or with other musicians. It's entirely up to you – just remember to include a b Series piano and keep it under 5 minutes.


Once you've captured your video, upload it to YouTube or Vimeo and then find us at www.facebook.com/YamahaPianosEurope. At the top of our wall you'll see the competition entry post. Simply follow the link to enter, complete you details on our registration page and then paste the URL from your YouTube or Vimeo upload. Deadline for video entries is 1st October 2015 and the sooner you enter, the sooner you can be building up votes!

4 | SHARE with friends and family

Want to win? Ask your friends and family to vote for you by sharing your video entry online – we'll send you a link to give them.

John Broadwood & Sons relocates head office and primary workshop to North Yorkshire

5 May 2015, Whitby, UK

John Broadwood & Sons, which holds the Royal Warrant as manufacturer of pianos to Queen Elizabeth II, has relocated its head office and primary workshop from Kent to two buildings on the Mulgrave Estate in Lythe, near Whitby, North Yorkshire.

Commenting on the relocation, Dr Alastair Laurence, director of John Broadwood & Sons said: 'We looked around the area and the two buildings we now occupy on the Mulgrave Estate were ideal for our needs.  We also felt that the Estate had a long tradition of encouraging arts and crafts and so it seemed like a natural fit.  We expect to thrive in the new premises and are looking to expand and to take on local employees.' He added: 'I’m a proud Yorkshireman so am very excited to move the headquarters of the business here.'

John Broadwood & Sons has held the Royal Warrant for nearly 300 years and has made instruments for every British monarch since George II. The company's pianos have also been played by Mozart, Haydn, Chopin, Beethoven and Liszt, including the six-octave Broadwood famously gifted to Beethoven in 1817 which bears the inscription "Hoc Instrumentum est Thomae Broadwood (Londrini) donum propter ingenium illustrissime Beethoven." [This instrument is a proper gift from Thomas Broadwood of London to the great Beethoven.]

The Mulgrave Estate totals over 15,000 acres and includes four miles of coastline between Sandsend and Runswick Bay. The Estate comprises agricultural land, woodland, residential and commercial properties including seven letting cottages, hotels, shops, pubs and restaurants and is the major property stakeholder within the local area. The Estate is managed from the Estate Office which is located in Lythe, one mile north-west of Sandsend.

Toronto Symphony Orchestra cancels scheduled performance by Valentina Lisitsa

8 April 2015

Ukrainian-born US-based pianist Valentina Lisitsa has had an engagement with Canada’s Toronto Symphony Orchestra (TSO) cancelled, allegedly because the soloist has expressed political views on the situation in Ukraine.

Lisitsa appealed to fans online and asked them to ‘tell Toronto Symphony that music can’t be silenced’. ‘If they do it once, they will do it again and again, until the artists are intimidated into voluntary censorship,’ she wrote. ‘Our future will be bleak if we allow this to happen. Please stand with me.’

Lisitsa claims that the TSO offered to cover her entire fee for the cancelled appearance  – but only if she kept quiet about the circumstances: ‘Toronto Symphony is going TO PAY ME NOT TO PLAY because I exercised the right to free speech. Yes, they will pay my fee but they are going to announce that I will be unable to play and they already found a substitute. And they even threatened me against saying anything about the cause of the cancelation. Seriously. And I thought things like this only happen in Turkey to Fazil Say?’ [In reference to the Turkish pianist who was convicted of insulting Islam in comments published via Twitter.]

A campaign ‘#LetValentinaPlay’ has attracted online support. Twitter user @JC_Artists wrote ‘If you can'’t have freedom to be an artist, then your freedom is an illusion’ and @ogunacik tweeted ‘#LetValentinaPlay Even The Holocaust wasn’t able to silence a pianist.’

Lisitsa was born in Kiev into a Russian-Polish family. She immigrated to the US in the 1990s. Lisitsa was ‘spotted’ online and now records for Decca. Over the last year she has been ‘living a double life’ as a pianist and activist, and tweets under the nickname NedoUkraïnka (‘sub-Ukrainian’), which she came up with after the Ukrainian Prime Minister Arseny Yatsenyuk published a statement calling the supporters of eastern Ukrainian militia forces ‘subhumans’. Her comments are often controversial, for example she has compared governmental actions to those of Nazi Germany.

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