International Piano is a unique bi-monthly publication written for and loved by pianists and discerning fans of piano music all over the world.

Each bi-monthly issue includes interviews with top pianists and rising talent, performance tips, news, features, analysis and comment. You will find exclusive tutorials by concert artists, in-depth articles on piano recordings and repertoire, masterclasses on piano technique, and festival, concert and competition reports from around the globe.

Every edition includes a five-page Symposium, hosted by Jeremy Siepmann, which brings together leading experts and international pianists for a round-table debate.

Our comprehensive reviews section examines the latest recordings, books, DVDs, sheet music and concerts.

Plus, each issue includes free sheet music – often rare or newly released works – for readers to add to their collections.

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Latest News

RNCM to award pianist András Schiff a Fellowship

18 October 2013

Three distinguished musicians and educators have been chosen as Fellows of the RNCM (FRNCM) and two of the College’s supporters as Honorary Members (HonRNCM). Hungarian pianist András Schiff will be granted the Fellowship during his concert at the RNCM on 19 November, where he will perform The Well-tempered Clavier Book 1.

Professor Jonathan Freeman-Attwood, Principal of the Royal Academy of Music, and Dr Paul Goodey, Director of Performance at the RNCM, will both be awarded Fellowships during the College’s annual Congregation of Awards, held on 3 December. Dr Ursula Jones, co-founder of the English Chamber Orchestra, and Dr Joyce Kennedy, author of several books about opera, will become Honorary Members during the December ceremony.

Since 1974, the RNCM has awarded numerous Fellowships and Honorary Memberships to world-renowned musicians, conductors, composers, educators, and advocates, including Placido Domingo, Sir John Dankworth, Dame Joan Sutherland, Dame Janet Baker, Sir Mark Elder, Hans Werner Henze and Sir Bernard Lovell.

REVIEW: Benjamin Grosvenor at Wigmore Hall, London 

17 October 2013

Benjamin Grosvenor
Wigmore Hall
14 October

The Wigmore Hall’s acoustic sometimes constricts pianists with 3000-seater tones – but it shows off Benjamin Grosvenor’s infinitely nuanced sound at its luminous best. Here the 21-year-old British star proved beyond a doubt the pure-gold quality of his sonic imagination and his ability to realise it. He can transport his listeners to new dimensions in a way that this reviewer can compare only to a young Krystian Zimerman – palpable in his sublimely controlled Schubert G flat Impromptu, or Mompou’s sensuous Paisajes, where the voicing reached extraordinary levels of mastery.

Schumann’s Humoresque was a bold choice: a baffling work that is too rarely performed. Grosvenor rose to all its challenges. Though notorious for ‘not hanging together’, it cohered brilliantly; he created rapt atmospheres, kept busy textures airy, yet defined the character of each episode, his clarity of touch illuminating the intricate contrapuntal writing.

Medtner’s Two Fairytales needed extra earthiness, but never lacked charm; and after a shimmering account of Ravel’s Valses nobles et sentimentales, Liszt’s Paraphrase on the Waltz from Gounod’s Faust found Grosvenor swashbuckling with the finest virtuosi, delivering enough schwung to floor every Fledermaus in town. Mendelssohn’s Andante and Rondo Capriccioso was an engaging opener, risking all at quicksilver tempo; the Albeniz/Godowsky Tango made a tasty encore. Once Grosvenor also controls the silences at his conclusions, he’ll get the standing ovations he deserves.


Documentary about composer and pianist Michael Hersch to receive first screening

11 October 2013

The Sudden Pianist, a documentary by Richard Anderson about composer and pianist Michael Hersch, will be screened at the New York City Independent Film Festival on 19 October at the Producers’ Club. The film, which was also an official selection for the 2013 American Documentary Film Festival in Palm Springs, presents an intimate depiction of Hersch, who now rarely performs in public. A trailer of the film is available here.

The documentary features exclusive interviews and footage of Hersch performing his music, from his 1999 Carnegie Hall recital debut through to the present day. Directly after the screening, Hersch will play selections from The Vanishing Pavilions, a piece featured in the film, in the Michael Hersch Portrait Concert at the DiMenna Center for the Arts, marking his second public performance in New York in the last ten years.

Click here for ticket information.



Lang Lang wins International Artist of the Year at Classic Brits

3 October 2013

Lang Lang: International Artist of the Year
Lang Lang: International Artist of the Year© JM Enternational

Lang Lang has won International Artist of the Year at the Classic Brit Awards 2013, held at London’s Royal Albert Hall.

The pianist – who opened the ceremony with a rousing rendition of Khachaturian’s ‘Sabre Dance’ from Gayane, with violinist Nicola Benedetti – was praised for his efforts in broadening the popularity of the piano. Through his volunteer work with children he is said to have encouraged more than 40 million children in China to learn to play the instrument.

Dressed in a deep red suit, Lang Lang accepted the accolade with obvious enthusiasm and took to the stage again for a solo performance of Chopin’s Grand valse brilliant Op 18, complete with the flashing lights and abstract visuals that often accompany his artistry.

Pianists were to the fore at this year’s event: Daniel Barenboim received Male Artist of the Year, and sent a video acceptance message in his absence. Ludovico Einaudi performed Experience from In a Time Lapse and was nominated for Composer of the Year, but missed out to Hans Zimmer, who performed a medley of his recent film scores at the piano, supported by the London Chamber Orchestra.

Elsewhere, Nicola Benedetti triumphed as the winner of Female Artist of the Year and German operatic tenor Jonas Kaufmann won the Critic’s Award. The event closed with a tribute to Luciano Pavarotti, whose posthumous Lifetime Achievement Award was presented to his widow Nicoletta Mantovani by one of the remaining Three Tenors, José Carreras.

The Classic Brits – formally ‘Classical Brits’ – have been dubbed 'unashamedly populist' and ‘fundamentally tacky’ by cultural commentators. Last year the critic Paul Morley wrote that ‘the ceremony was the bewildered, if sparkly love child, of the Eurovision song contest and the Last Night of the Proms, with somehow a dash of the 1970s Miss World, Brucie’s Strictly Come Dancing, and William and Kate’s wedding’. Benedetti used her award acceptance speech to urge viewers to listen beyond the music on offer at the ceremony.

The awards will be broadcast on ITV, Sunday 6 October at 10:20pm



Centenary celebrations for the Pianoforte Tuners’ Association

2 October 2013

Delegates at this year's PTA convention, held in Bournemouth
Delegates at this year's PTA convention, held in Bournemouth

The Pianoforte Tuners’ Association (PTA) marks its 100th birthday this month.

The PTA was formed in October 1913, during the heyday of piano manufacturing, to protect the interests of tuners and to offer instruction to apprentices. Today, the association promotes the importance of regular, skilled tuning and servicing while bringing together piano tuners and technicians.

Planned centenary celebrations include a Fazioli training day at Jaques Samuel Pianos in London and a Kawai technical class followed by the Scottish Autumn Dinner in Stirling. Earlier this year, the PTA convention was held in Bournemouth. It provided technical seminars, sponsored by Steinway & Sons, Kawai and Morley Pianos. The convention concluded with a gala dinner and charity auction that raised £1,800 divided between the Musicians’ Benevolent Fund and the Association’s Student Fund.

There are currently around 230 PTA Members in the UK and members use the letters MPTA after their names which helps the public to identify competent tuners in their area. Entry to the Association is achieved by passing three examinations to very high standards. Students must work for at least two years after their college training, completing a minimum of five years in total, before being eligible to apply for PTA membership.

For further information, membership enquiries or a list of PTA members in your area, click here


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