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International Piano (IP) incorporates International Piano (formally International Piano Quarterly) and Piano magazine. It is written for pianists and discerning fans of piano music.

Each bi-monthly issue includes interviews with top pianists and rising talent, performance tips, news, features, analysis and comment. You will find exclusive tutorials by concert artists, in-depth articles on piano recordings and repertoire, masterclasses on piano technique, and festival, concert and competition reports from around the globe.

Every edition includes a five-page Symposium, hosted by Jeremy Siepmann, which brings together leading experts and international pianists for a round-table debate.

Our comprehensive reviews section examines the latest recordings, books, DVDs, sheet music and concerts.

Plus, each issue includes free sheet music – often rare or newly released works – for readers to add to their collections.


Music Pages

Latest News

RNCM students past and present collaborate on new single in support of concert hall campaign

2 May 2014

Daniel Parkinson and David Schofield pictured in the soon-to-be completed concert hall
Daniel Parkinson and David Schofield pictured in the soon-to-be completed concert hall© Tom Gradwell

Daniel Parkinson conducts RNCM strings
Daniel Parkinson conducts RNCM strings© Tom Gradwell

Stephen Hough arranged the music for piano and strings
Stephen Hough arranged the music for piano and strings© Andrew Crowley

RNCM postgraduate conductor Daniel Parkinson and students from the School of Strings have teamed up with British pianist and Junior RNCM alumnus David Schofield to release a charity single in aid of Your RNCM.
 
A new version of the famous Londonderry Air, or 'Danny Boy' as it’s more commonly known, will be released through all major online stores on Monday 19 May with proceeds going towards Your RNCM, the College’s £3m campaign to transform its 40-year-old Concert Hall into a state-of-the-art venue.
 
Recorded at the Manchester-based college earlier this month, the single was arranged for piano and strings by RNCM alumnus Stephen Hough, with original orchestration by Ross Clarke.
 
Parkinson, who is currently studying for an MMus in Solo Performance (Conducting), said: ‘The refurbished Concert Hall will provide a platform for artistic excellence at the RNCM. This campaign single came about thanks to the RNCM's policy of encouraging and supporting students' creativity as well as its ability to think out of the box. It has been a pleasure bringing together such a talented group of people to produce the track and I hope that it is successful in creating awareness and raising money for such a vital campaign.’
 
Schofield, who studied at Junior RNCM before joining Chetham’s School of Music and the Chicago College of Performing Arts, added: ‘The RNCM played a major role in my early musical education and it is so nice to play a part in this single and give something back to both the College and Manchester. Stephen Hough and my good friend Ross Clarke have done an exceptional job on both the piano part and orchestration - it captures so well the meaning of the piece of music and is great to perform.
 
‘I was in the Concert Hall a few weeks ago and seeing the progress is amazing; it’s not only a great addition to the College but to musicians across the world. I have been so lucky to work with an amazing team of people on this project and I’m keeping my fingers crossed for a classical number one on Sunday 25 May.’

Your RNCM officially launched in October 2013. To date, the College has raised almost half of its £3m target and work on the transformation, completed by Styles & Wood, is well underway. Incorporated in the plans is a complete redevelopment of the Concert Hall to include a new air-conditioning and heating system, new flooring and seating, advanced technical facilities and lighting, in addition to a balcony and raised floor area to considerably increase capacity. The backstage production areas of both the Concert Hall and RNCM Theatre will also be reconfigured to support increased student numbers and provide a professional learning environment at industry standard.

The RNCM Concert Hall closed to the public on 27 January. It will officially reopen later this year.

Joanna MacGregor to lead Dartington International Summer School from 2015

26 March 2014

Pianist Joanna MacGregor has been named as artistic director of the Dartington International Summer School from 2015, initially on a three-year contract.

MacGregor will take over from Nicholas Daniel after this year’s summer school, Daniel having been taken on with a one-year contract, as announced last year.

The 2014 summer school will last for three weeks, as opposed to the long-established five-week model, a change made ‘due to reduced demand for the 2013 summer school’ according to a Dartington spokesperson. With strong sales this year, however, the plan is to step up to four weeks in 2015.

MacGregor was artistic director of the Bath International Music Festival from 2006 to 2012 and is head of piano at the Royal Academy of Music. She was made a professor of the University of London in autumn 2013 ‘in recognition of her outstanding contribution both to the Academy and to international musical life’.

Dartington has a reputation for bringing amateurs and professional musicians together and is known for attracting artists of international calibre to work as tutors. Before Daniel, directors were the composer John Woolrich, Gavin Henderson, Peter Maxwell Davies and William Glock.

Tutors in 2014 include pianists Anna Tilbrook, Christian Blackshaw, Katya Apekisheva and Tom Poster, soprano Emma Kirkby, conductor Sian Edwards, viol consort Fretwork, violist Philip Dukes, and composers Colin Matthews and John Woolrich.

MacGregor said of her appointment: ‘Having been involved with the summer school for many years I am delighted to take on this exciting role and to have the opportunity to shape the future of this wonderful celebration of music and creativity.’

This year’s summer school runs 26 July – 15 August

Sergio Tiempo asks for audience participation in his upcoming Southbank recital 

19 March 2014

© S Walnier

Sergio Tiempo is asking fans to vote on which six Chopin Etudes he should play at his upcoming International Piano Series recital at London’s Southbank Centre.

The 29 April recital has been creatively programmed. Each piece represents a different member of his family. As Tiempo counts the audience as a very important member of his wider musical family he wanted their involvement, too.

Tiempo’s recordings of 12 Chopin Etudes will be posted to the Southbank Centre website, and fans are asked to vote on which six they would like him to play at the concert. The results will not be known until the night.
 
Tiempo’s star has been rapidly rising of late, with successful tours of Australia, China and Latin America, and collaborations with favourite collaborators such as Gustavo Dudamel, Mischa Maisky and of course his great mentor Martha Argerich.

Voting details will be announced here soon
 

Rhinegold Publishing to host free series of concerts

4 March 2014

Conductor and pianist Andrew Litton will perform Oscar Peterson transcriptions
Conductor and pianist Andrew Litton will perform Oscar Peterson transcriptions© Danny Turner

Peregrine’s Pianos will provide a Schimmel concert grand piano for each performance
Peregrine’s Pianos will provide a Schimmel concert grand piano for each performance

Rhinegold Publishing, publisher of International Piano, has launched a new series of free rush-hour concerts at London’s Conway Hall.

The Rhinegold Live series – free and available to all – will offer a unique take on the recital experience. Concerts will be held in the round at Conway Hall, London, at 6:30pm and will be followed by an informal Q&A with the artist – plus a complimentary drinks reception.

Cellists Julian and Jiaxin Lloyd Webber, with pianist Pam Chowhan, will open the series on 3 April, fresh from their recent A Tale of Two Cellos tour. The event is sponsored by law firm Teacher Stern. Keith Clarke, consultant editor of Classical Music magazine will lead the follow-up Q&A session.

On 2 June Andrew Litton, best known as a conductor, will put away his baton and give a special piano recital dedicated to Oscar Peterson. Based on transcriptions undertaken by pianist Steven Osborne, the programme launches Litton’s forthcoming CD on the Bis label, A Tribute to Oscar Peterson. Claire Jackson, editor of International Piano, will speak to Litton after the concert and take questions from the audience.

Peregrine’s Pianos will provide a Schimmel concert grand piano for each performance. The organisation, based in central London, sells and hires a range of upright and grand pianos, as well as providing a specialised working environment for the music profession.

Rhinegold Publishing will host six concerts a year; these will feature a range of artists from emerging talent to world-famous performers. In a period of increasing pressure to justify the value of the arts, Rhinegold, in conjunction with its partners, has curated the series in the belief that music should be within the reach of all.

‘Live classical music is too often a remote and impersonal experience’, says Rhinegold Publishing’s managing director Ciaran Morton. ‘We seek to personalise the recital experience, enlightening and welcoming a new audience while delivering artistically to our existing readers. I believe this new concert series is a logical extension of all the good work Rhinegold has done for the classical music sector over the years.’

Readers can register for their free ticket here. Each ticket includes a complimentary drink at the reception. There are c.150 tickets available to the public for each concert and seats are allocated on a first-come, first-served basis.

Alice Herz-Sommer, pianist and oldest known survivor of the Holocaust, has died aged 110

26 February 2014

© Regina Hepner-Neupert

Pianist Alice Herz-Sommer, the oldest known survivor of the Nazi concentration camps who became an icon through her positive outlook, died on 23 February aged 110.

Born in Prague in 1903 Herz-Sommer suffered four years of oppression after the Nazi invasion of Czechoslovakia, followed by two more in Terezín, the garrison town turned concentration camp outside Prague. There, Herz-Sommer gave well over a hundred concerts. When liberation was followed by further oppression under the Communists, she and her son, later to make his own name as the cellist Raphael Sommer, moved to Israel, where she established a reputation as an outstanding teacher.

A CD of private recordings made by Herz-Sommer in her 60s, 70s and 80s was released on ‘AHS Recordings’ with the German edition of her biography in 2006. They revealed that, hidden behind this story of miraculous survival, she was also one of the great pianists of the past century. Herz-Sommer was a ‘grand-student’ of Liszt, having studied with Conrad Ansorge, one of Liszt’s later disciples.

Herz-Sommer’s basic philosophy – ‘Life is beautiful’ – enabled her to draw strength even from the many adversities that confronted her over the years. In his recently published interview with Herz-Sommer, Martin Anderson observed: ‘You come away from a visit to Alice feeling younger yourself, with a spring in your step: she is not religious, but she radiates gratitude for being alive and her conversation is infused with a profound human decency.’

Anderson’s interview is posted here and is available in print in issue 23 of International Piano magazine.


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