International Piano is a unique bi-monthly publication written for and loved by pianists and discerning fans of piano music all over the world.

Each bi-monthly issue includes interviews with top pianists and rising talent, performance tips, news, features, analysis and comment. You will find exclusive tutorials by concert artists, in-depth articles on piano recordings and repertoire, masterclasses on piano technique, and festival, concert and competition reports from around the globe.

Every edition includes a five-page Symposium, hosted by Jeremy Siepmann, which brings together leading experts and international pianists for a round-table debate.

Our comprehensive reviews section examines the latest recordings, books, DVDs, sheet music and concerts.

Plus, each issue includes free sheet music – often rare or newly released works – for readers to add to their collections.

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Latest News

Rhinegold Publishing to host free series of concerts

4 March 2014

Conductor and pianist Andrew Litton will perform Oscar Peterson transcriptions
Conductor and pianist Andrew Litton will perform Oscar Peterson transcriptions© Danny Turner

Peregrine’s Pianos will provide a Schimmel concert grand piano for each performance
Peregrine’s Pianos will provide a Schimmel concert grand piano for each performance

Rhinegold Publishing, publisher of International Piano, has launched a new series of free rush-hour concerts at London’s Conway Hall.

The Rhinegold Live series – free and available to all – will offer a unique take on the recital experience. Concerts will be held in the round at Conway Hall, London, at 6:30pm and will be followed by an informal Q&A with the artist – plus a complimentary drinks reception.

Cellists Julian and Jiaxin Lloyd Webber, with pianist Pam Chowhan, will open the series on 3 April, fresh from their recent A Tale of Two Cellos tour. The event is sponsored by law firm Teacher Stern. Keith Clarke, consultant editor of Classical Music magazine will lead the follow-up Q&A session.

On 2 June Andrew Litton, best known as a conductor, will put away his baton and give a special piano recital dedicated to Oscar Peterson. Based on transcriptions undertaken by pianist Steven Osborne, the programme launches Litton’s forthcoming CD on the Bis label, A Tribute to Oscar Peterson. Claire Jackson, editor of International Piano, will speak to Litton after the concert and take questions from the audience.

Peregrine’s Pianos will provide a Schimmel concert grand piano for each performance. The organisation, based in central London, sells and hires a range of upright and grand pianos, as well as providing a specialised working environment for the music profession.

Rhinegold Publishing will host six concerts a year; these will feature a range of artists from emerging talent to world-famous performers. In a period of increasing pressure to justify the value of the arts, Rhinegold, in conjunction with its partners, has curated the series in the belief that music should be within the reach of all.

‘Live classical music is too often a remote and impersonal experience’, says Rhinegold Publishing’s managing director Ciaran Morton. ‘We seek to personalise the recital experience, enlightening and welcoming a new audience while delivering artistically to our existing readers. I believe this new concert series is a logical extension of all the good work Rhinegold has done for the classical music sector over the years.’

Readers can register for their free ticket here. Each ticket includes a complimentary drink at the reception. There are c.150 tickets available to the public for each concert and seats are allocated on a first-come, first-served basis.

Alice Herz-Sommer, pianist and oldest known survivor of the Holocaust, has died aged 110

26 February 2014

© Regina Hepner-Neupert

Pianist Alice Herz-Sommer, the oldest known survivor of the Nazi concentration camps who became an icon through her positive outlook, died on 23 February aged 110.

Born in Prague in 1903 Herz-Sommer suffered four years of oppression after the Nazi invasion of Czechoslovakia, followed by two more in Terezín, the garrison town turned concentration camp outside Prague. There, Herz-Sommer gave well over a hundred concerts. When liberation was followed by further oppression under the Communists, she and her son, later to make his own name as the cellist Raphael Sommer, moved to Israel, where she established a reputation as an outstanding teacher.

A CD of private recordings made by Herz-Sommer in her 60s, 70s and 80s was released on ‘AHS Recordings’ with the German edition of her biography in 2006. They revealed that, hidden behind this story of miraculous survival, she was also one of the great pianists of the past century. Herz-Sommer was a ‘grand-student’ of Liszt, having studied with Conrad Ansorge, one of Liszt’s later disciples.

Herz-Sommer’s basic philosophy – ‘Life is beautiful’ – enabled her to draw strength even from the many adversities that confronted her over the years. In his recently published interview with Herz-Sommer, Martin Anderson observed: ‘You come away from a visit to Alice feeling younger yourself, with a spring in your step: she is not religious, but she radiates gratitude for being alive and her conversation is infused with a profound human decency.’

Anderson’s interview is posted here and is available in print in issue 23 of International Piano magazine.

REVIEW: Charles Owen, Bach’s Goldberg Variations, Milton Court, London

19 February 2014

Charles Owen
Charles Owen© John Batten

Charles Owen
Milton Court
13 February

The newly opened Milton Court hosted a performance of Bach’s Goldberg Variations BWV 988 as part of the Guildhall School of Music and Drama’s Faculty Artist Series – Charles Owen, professor of piano at the Guildhall, chose to play all the repeats.

Each movement had its individual character but we never lost sight of the overall progression of the journey. Charles Owen is a pianist who makes spontaneous decisions and is prepared to take a risk in performance and thus breathe new life into a familiar work. The mesmeric una corda-inspired sound world he conjured up in Variation 19 was unique, for example. Owen employs instinctive pacing, epitomised in Variations 10 – when he irresistibly conducted with his free right hand the stating of the subject before it too joined in the Fughetta – and in Variation 14, which couldn’t contain its excitement and almost exploded onto the scene.

There were a few moments, to my ear, in the early Variations when the rhythmic discipline of left hand accompaniments nearly overstated the independence of the hands; but otherwise they combined to produce the desired effect whether it was playfulness in dance, jubilant flourish or sparkling cascade.

Milton Court is a state-of-the-art concert hall and musicians can ‘tune’ the hall acoustically by manipulating wooden panels and other such devices. In fact, the acoustic was left in default mode, with the pianist choosing only to set the gentle tone of the lighting for this evening. By the end, the hall was illumined with stars – the characters we had got to know on our shared journey.

Stephen Turvey

The Faculty Artist Series continues with an evening celebrating the life of James Gibb (1918 – 2013), former Head of Keyboard Studies at the Guildhall School on 21 February

Harold Taylor, author of The Pianist’s Talent, has died 

6 February 2014

Essential reading: The Pianist's Talent by Harold Taylor
Essential reading: The Pianist's Talent by Harold Taylor

The pianist Harold Taylor (1925-2014) who died on 24 January will be perhaps best remembered for his widely admired book, The Pianist's Talent (Kahn and Averill) in which he seeks to reconcile the teachings of F Matthias Alexander and Raymond Thiberge, and is a fine and precise study of the art of teaching and performing.

Taylor was born in Macclesfield in 1925 and graduated from the Royal Manchester College of Music (now the RNCM) followed by later studies in Paris under Thiberge and Alfred Cortot. He subsequently developed a career as pianist, lecturer-recitalist, writer and teacher, and as Head of Music at Bromsgrove College was responsible for running the Bromsgrove Festival.

His knowledge of pianism and pianists was encyclopaedic and he brought to his teaching both expertise and a sympathetic understanding.

John Humphreys

Wanted: 19th century Broadwood piano for Elizabeth Gaskell’s house

5 February 2014

Novellist Elizabeth Gaskell's house during restoration
Novellist Elizabeth Gaskell's house during restoration© Lee Baxter

Renovators of Elizabeth Gaskell’s Manchester home are seeking a donation of a mid-19th century Broadwood demi grand piano and have called on International Piano readers to help.

The Victorian writer’s property has been authentically refurbished and will reopen to the public in October. Living at 84 Plymouth Grove for 15 years until her death in 1865, Gaskell and her husband entertained contemporaries including Charles Dickens.

Part of the £2.5m restoration has involved research into how the house looked when the family resided there. Curators are seeking a Broadwood demi grand piano because this was the model that Charles Hallé used to teach Elizabeth Gaskell’s daughters at the house. The instrument will take pride of place in the drawing room and will be used for musical and educational events. The donor will be fully credited alongside other sponsors of the house.

If you are able to help, please contact John Williams, project manager for Elizabeth’s Gaskell’s House at

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