International Piano is a unique bi-monthly publication written for and loved by pianists and discerning fans of piano music all over the world.

Each bi-monthly issue includes interviews with top pianists and rising talent, performance tips, news, features, analysis and comment. You will find exclusive tutorials by concert artists, in-depth articles on piano recordings and repertoire, masterclasses on piano technique, and festival, concert and competition reports from around the globe.

Every edition includes a five-page Symposium, hosted by Jeremy Siepmann, which brings together leading experts and international pianists for a round-table debate.

Our comprehensive reviews section examines the latest recordings, books, DVDs, sheet music and concerts.

Plus, each issue includes free sheet music – often rare or newly released works – for readers to add to their collections.

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Latest News

Piano Proms

23 July 2014

Barry Douglas performs Brahms' piano concerto no.1 on Thursday 24 July
Barry Douglas performs Brahms' piano concerto no.1 on Thursday 24 JulyKatya Kraynova

Louis Schwizgebel performs Prokofiev's piano concerto no.1 with the NYO on Sunday 10 August
Louis Schwizgebel performs Prokofiev's piano concerto no.1 with the NYO on Sunday 10 AugustCaroline Doutre

International Piano editor, Claire Jackson, picks her top six piano Proms for the 2014 season:

PROM 9 - Thursday 24 July
Barry Douglas
Brahms Piano Concerto No 1 in D minor
London Symphony Orchestra, Valery Gergiev

PROM 18 - Wednesday 30 July
Alexandre Tharaud
Ravel Piano Concerto for the Left Hand
BBC Philharmonic, Juanjo Mena

PROM 29 - Friday 9 August
Benjamin Grosvenor
Chopin Piano Concerto No 1 in E minor
BBC Philharmonic, Gianandrea Noseda

PROM 33 - Sunday 10 August
Louis Schwizgebel
Prokofiev Piano Concerto No 1 in D flat major
National Youth Orchestra of Great Britain, Edward Gardner

PROM 39 - Friday 15 August
Jonathan Biss
Bernard Rands Concerto for Piano and Orchestra (UK premiere)
BBC Scottish Symphony Orchestra, Markus Stenz

PROM 67 - Sunday 7 September
Denis Matsuev
Rachmaninov Piano Concerto No 2 in C minor
Qatar Philharmonic Orchestra, Han-Na Chang

Tickets and more information:

Montblanc dedicates latest pen to Steinway

17 July 2014

Montblanc has created a special fountain pen in honour of piano maker Henry E Steinway.

German-born Heinrich Engelhard Steinway (1797-1871) built his first pianos in his kitchen, before moving to the US to establish the now world-famous brand.

Available in two editions, the pen – or writing instrument, as Montblanc refers to its products – features the distinctive black and gold colour combination of a classic Steinway grand piano. The shape of the gold-plated clip references the once-patented screw clamps used for bending the grand piano rim into its distinctive sweeping curve. The gold nib is decorated with a filigree portrait of Steinway himself.

London’s Steinway Hall hosted a private reception to mark the occasion, featuring a recital given by Charles Owen, a Steinway artist.

The Steinway pen is part of Montblanc’s Patron of Art series, which launched in 1992. Prices available upon request.

Ansel Elgort to play the title role in upcoming biopic Van Cliburn

14 July 2014

Ansel Elgort
Ansel ElgortJaguar PS /

The Fault in Our Stars and Divergent actor Ansel Elgort has been signed to play the title role in Van Cliburn, a film based on the book of the same name by Howard Reich.

The biopic will focus on American pianist Van Cliburn’s formative years, when he won the Tchaikovsky International Piano Competition in Moscow in 1958, at the height of the Cold War. Van Cliburn went on to become an international star, until he abruptly stopped publicly performing in 1978. He died last year of bone cancer at 78.

Teen-hit Elgort, a graduate of LaGuardia High School of the Performing Arts, started as a dancer and is an amateur pianist. In addition to this project, Elgort has been busy shooting the upcoming Divergent sequel, Insurgent. His next film will be alongside Adam Sandler in Men, Women and Children, due for release later this year.

Rare opportunity to visit Schimmel workshop in Germany

14 July 2014

Peregrine’s Pianos is offering its customers the chance to sneak a peak under the soundboard with a trip to the Schimmel piano workshop in Germany this September.

Schimmel is the largest-volume German piano manufacturer, founded in Leipzig in 1885. Peregrine’s Pianos – who provide a Schimmel Konzert Grand piano for International Piano’s new recital series – specialise in high-quality European instruments, and also stock August Förster (see IP issue 26).

The visit is planned for 30 September and is open to any prospective customers. The day includes return travel from Heathrow to Braunschweig, introductions to the Schimmel management team, an extensive tour of the factory, a short recital, an opportunity to try the pianos, a visit to the old city and an evening meal. The excursion costs £250, which is redeemable against a subsequent purchase of a Schimmel Piano. This is an exclusive visit by generous agreement with the workshop in Braunschweig and numbers are limited to 20.

This is the third trip organised by Peregrine’s; the first, in 2012, was attended by IP editor Claire Jackson and reported on in issue 13.

Contact for further information

REVIEW: Benjamin Grosvenor, Cheltenham Festival recital

11 July 2014

Benjamin Grosvenor, Cheltenham Festival recital
Pittville Pump Room, Cheltenham
6 July

In Cheltenham’s Pittville Pump Room Benjamin Grosvenor, sober of suit and diffident of aspect, gave a recital of polished perfection, displaying the kind of musical maturity one might expect from an artist twice his age.

Grosvenor's glowing, singing tone, clear, unfussy phrasing and an innate stylish empathy breathed new life into Mendelssohn’s Andante and Rondo Capriccioso. No less delectable was Schubert’s G flat Impromptu – a clear precursor of Chopin’s Andante spianato.

Schumann’s unwieldly Humoreske followed, a ragbag of unmemorable ideas that even Grosvenor was unable to prevent from outstaying its welcome. The second half of his programme ranged from Mompou (three Paisajes) and Medtner (two Skazki) to Ravel’s Valses nobles et sentimentales and the Gounod-Liszt Faust Waltz, each composer stylishly characterised, the coda of the last dashed off with such glittering ease that it reminded one of famous recordings by Petri and Barere. Grosvenor left us with a single encore: Dohnányi’s dazzling F minor Capriccio. It was all over too quickly.

Jeremy Nicholas

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