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Friday, 25th July, 2014

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Music Teacher magazine is the essential meeting point and resource for music education practitioners.

Whether you teach class music, or are a peripatetic/private instrumental teacher, Music Teacher will provide you with invaluable ideas for your teaching, with substantial online lesson materials and a range of practical features. Packed with reviews, news, comment and debate, as well as the latest jobs, professional development opportunities and fantastic special offers, Music Teacher is all you need to teach music.



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Latest News

Sing Up announces National Male Singing Leaders Conference

4 January 2010

Sing Up, the orgisation that promotes singing in schools, has announced the National Male Singing Leaders Conference, an event it hopes will shape the development of male singing leaders nationwide. The free two-day event will feature presentations, workshops and performances, and is open to male teachers who lead or would like to lead boys' or mixed singing groups; female teachers who lead boys' singing groups will also find the conference relevant. The keynote speech will be given by David Lawrence, Associate Conductor of the City of Birmingham Symphony Chorus and Choir Leader for the City of Birmingham Young Voices, and there will be workshops and performances by singer and composer Cleveland Watkiss. Sessions will include: developing your own vocal confidence; male leadership and the changing voice with Professor Martin Ashley; ways of supporting and developing male singing leaders regionally and nationally; and using singing across the curriculum with primary-aged children. The event will take place at Truro Methodist Church and Library, Cornwall on Tuesday 23 February 2010 1.30pm-6.30 pm and Wednesday 24 February 9.30am-4pm. To find out more or to book your place email conference@singup.org or telephone Lindsay Bell (Sing Up Administrator) 0191 443 4695.

www.singup.org

MusicLeader West Midlands invites choir leaders to 'Inspire Your Choir'

4 January 2010

'Inspire Your Choir' is MusicLeader's new six-session course for choral directors led by choral clinician and musicologist Liz Garnett. It is designed for people who already have experience leading choirs or singing groups and who wish to develop and deepen their skills. The sessions will include both repertoire taught by ear and notated music, and there will be opportunities to work with repertoire used by participants in their own groups. The course comprises six half-day sessions and requires a full attendance commitment. Sessions, which will take place at the University of Birmingham, are as follows:

  • Tuesday 2 February 2010: Developing the Ensemble
  • Tuesday 9 February 2010: Rethinking Choral Musicianship
  • Tuesday 16 February 2010: Perform with Panache
  • Tuesday 23 February 2010: Understanding the Conductor-Choir Bond
  • Tuesday 2 March 2010: Aural Skills for Choral Groups
  • Tuesday 9 March 2010: Gesture and Voice

There are 25 first-come-first-served places available priced at £60 for MusicLeader members and £120 for non-members (membership is free, join on the MusicLeader website). Call 0121 236 7978 or email west-midlands@musicleader.net.

www.musicleader.net

Music Manifesto champion honoured in New Year awards

31 December 2009

Marc Jaffrey, former champion of the Music Manifesto, has been awarded an OBE for services to music education in the Queen's New Year Honours list. Gres Pritchard, a peripatetic music teacher on Ynys Mon (Anglesey), North Wales, and John Skinner, director of music at Haberdashers' Aske's Hatcham College, Lewisham, south east London, both receive MBEs. The highest musical honour this year is a knighthood for pharmacologist, baritone and Bach-lover Dr Ralph Kohn, whose Kohn Foundation endows several prizes for young scientists and musicians; Sir Ralph's charitable interests also include financing John Eliot Gardiner's Bach Cantatas project. CBEs go to mezzo-soprano Sarah Connolly; pianist Peter Donohoe; conductor James Loughran; and Graham Sheffield, artistic director of London's Barbican Centre and chairman of the Royal Philharmonic Society. Kenneth Montgomery, principal conductor of the Ulster Orchestra, receives an OBE, as do Rick Parfitt and Francis Rossi of the rock group Status Quo, film-music composer Rachel Portman and National Youth Music Theatre founder Jeremy James Taylor. MBEs go to Judith Catterick, director of music at St Mary the Virgin Parish Church, Ashwell, Hertfordshire, for services to music in her local community; harpist Jennifer Doolan, a senior tutor with the National Children's Orchestra of Great Britain and conductor of the Ynys Owen Male Voice Choir in Aberfan, South Wales; Terence 'Jet' Harris, former bass player with Cliff Richard's group The Shadows; former LSO Principal Trumpet Maurice Murphy; and Ewan Easton, Principal Tuba of the Halle Orchestra, for voluntary work at Thorn Cross Young Offenders Institute including the Halle4brass project.

Six singers named as 2009 Chilcott Scholars

16 December 2009

Six young singers have been awarded Susan Chilcott Scholarships totalling more than £22,000 to enable them to complete their studies at four London conservatoires.

They include two National Opera Studio students, baritone Gerard Collett, 27, who receives funds towards private tuition throughout his studies at the National Opera Studio, and 26-year-old tenor John Pierce. The youngest of this year’s scholars, 22-year-old soprano Natalya Romaniw, receives support to assist with her studies for an Opera Masters at the Guildhall School. Baritone Gary Griffiths joins her at the Guildhall on the college’s two-year opera course. Royal College of Music Opera School student Martha Jones, mezzo soprano, has been awarded a scholarship to help with the completion of her second year on the RCM course, with soprano Rebecca Goulden receiving support towards the second year of her studies at the Royal Academy of Music.

Iain Burnside has taken over from Jonathan Dimbleby as Chairman of the Trustees of the Chilcott Awards, and Dimbleby becomes their President. Both men were close friends of the soprano Susan Chilcott, who died of breast cancer aged 40 in 2003. The awards were set up in her memory to help talented singers of limited means to fulfil their potential.

Trojan Horse opera captivates KS2 pupils

16 December 2009

English Touring Opera (ETO) has given more than 20 performances around the country of Rachel Leach’s new opera for KS2 pupils In the Belly of the Horse. The opera explores the story that leads the Greeks to build the famous wooden horse of Troy.

‘It has worked incredibly well for us,’ said Lisa Rudd, expressive arts co-ordinator at Arbury Primary School in Cambridge. ‘The Ancient Greeks are part of the Year 4 curriculum and that’s what initially attracted me to the idea. But the performance has explored many other areas of study too – maths, geography, and, of course, the music and singing. We’ll be following it up with writing projects and probably a play of our own.’

ETO says the opera supports ‘literacy, history, maths and science, art and design as well as drama and music’. The fast-moving hour-long performance has lots of humour and audience participation, and is suitable for pupils aged seven and up. Support materials, including teachers’ packs, CDs and sheet music and cartoons, are sent out well before the date of the performance.

Nine-year-old Jasmine Thompson, a pupil at Arbury, found the session ‘absolutely fantastic. ‘I loved the story of the Trojan horse and the words were easy to learn. I thought the whole thing was really good.’

‘Today’s pupils really knew the words and interacted fantastically with us’ said ETO pianist Chris Clarke. ‘But we have been to schools where there’s not been so much time for preparation yet we’ve still managed to make it work well by putting extra energy in our performances and encouraging the pupils to be gripped by the story and really feel part of what’s going on.’

Singer Abigail Kelly said the ETO education project, which is linked to its Handelfest tour, was very important.

‘This isn’t just about music. Many children just wouldn’t go to an opera if we didn’t bring it to them in school. This is a chance for them to see something different – to think about directing or stage managing as well as the music – and for them to see creativity at work.’

www.englishtouringopera.org.uk


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