NCEM joins large scale European cooperation project
17 November 2014
The National Centre for Early Music in York (NCEM) is one of eight major partner organisations from the European Community involved in a successful bid for the 2014 Creative Europe Culture Programme. Led by Ambronay Festival (France), the project, ‘EEEmerging European Ensembles’, has been awarded a grant of 1,971,375 euros as a ‘large scale co-operation project’. The funding, which will be shared among the partners over four years, will enable the NCEM to enhance its support of young emerging early music ensembles by hosting six residencies at the NCEM in York between 2015-2018. This will support the biennial York Early Music International Young Artists Competition, which draws in competitors from across the European Community and beyond, and provides performance opportunities across the UK.
By selecting and training the best emerging ensembles in Europe, the EEEmerging European Ensembles project aims to increase equality in the options open to young ensembles, to provide them with excellent working conditions and a network of places for training, along with specific support and guidance for their projects, and to help them negotiate the realities of the early music market in Europe. Ensembles will receive support over a 1-3 year period.For further information visit: www.ncem.co.uk/eee
BBC Radio 3 chief: I won’t be ‘dumbing down’ station
14 November 2014
Alan Davey says Radio 3 will not become more like Classic FM in order to address a shrinking audience and that it will still offer a ‘complex culture’.
In the latest figures from industry body Rajar in July, the classical music station saw its audience shrink by 120,000 year on year to 1.88 million, falling behind digital-only Radio 6 Music for the first time.
Alan Davey, currently chief executive of Arts Council England, takes over as controller in January. He rejected suggestions that the solution was to follow the more popular Classic FM by concentrating on more accessible music. Mr Davey told BBC Radio 4’s Today programme: ‘It’s one quarter’s listening figures we are talking about. We don’t yet have a trend’. He said he will continue to offer ‘complex culture’, such as operas by avant-garde composer Karlheinz Stockhausen, but will seek to provide audiences with the context that will help them to understand it.
‘I will be addressing it by doing what Radio 3 does best, offering complex culture, arts and ideas within the reach of lots of people. That’s what the original Third Programme did beautifully, but what the original Third Programme didn’t do was offer people context ... a way of approaching the complex culture that’s offered ... If you do complex culture properly, it makes sense to people.’
Vivienne Price 1931 - 2014
13 November 2014
Vivienne Price, who has died aged 83, founded the National Children’s Orchestras, a group that has provided valuable musical opportunities to generations of children. Among its alumni are the conductors Robin Ticciati and Daniel Harding, the cellist Guy Johnston and the violinist Nicola Benedetti.
In an interview with Ivan Hewett from The Daily Telegraph in 2010, Vivienne explained her reasons for doing so:
“I’d always wondered, why do we have a national youth orchestra but nothing for the younger ones...I imagined someone would do something about it one day, but no one did, so I thought, well, I’d better have a go.”
A loan of £60 from a relative was used to produce thousands of NCO leaflets, which were distributed around the country, and the first one-week course was held in Eastbourne, ending with a concert in the Winter Gardens. “We played the Radetzky March,” she recalled, “and I still remember the first rehearsal. It was absolutely awful.”
In the early days the NCO was run from Vivienne’s sitting room and tutors were brought in from orchestras and music colleges. The first concert was a sell-out, and Vivienne was inundated with applications from children wanting to join.After suffering ill health in the late 1990s, Vivienne passed the baton to Roger Clarkson, who is now the NCO’s Principal Director of Music. She subsequently recovered and was able to maintain close links with the NCO, including conducting the Training Orchestra this summer.
Sir Harrison Birtwistle to work with students from Birmingham Conservatoire.
12 November 2014
Sir Harrison Birtwistle, widely acknowledged as one of Britain’s greatest living composers, is to work with young composers and musicians from Birmingham Conservatoire. Sir Harrison will hold a public masterclass with composition students on Friday 28 November and will give talks about his work; selections from his work will be performed alongside work of the Conservatoire’s postgraduate composers. T
he event coincides with Sir Harrison’s 80th birthday and also offers audiences the chance to hear his much talked about Panic that caused a furore at Last Night of The Proms in 1995. Joe Cutler, head of composition at Birmingham Conservatoire, said: ‘We’re hugely excited about welcoming Sir Harrison Birtwistle to Birmingham Conservatoire and delighted that he will be working with so many performers and composers during his visit. ‘Harrison Birtwistle is a composer of immense international stature ... he has pursued a path of unwavering artistic commitment in developing a truly original, daring and unique compositional voice. It’s wonderful that our students, the next generation of performers and composers, will benefit from his vast insight and wisdom’.
Sir Harrison’s visit to Birmingham Conservatoire, part of Birmingham City University, forms part of a weekend festival, ‘Birtwistle in Birmingham’. The festival builds on the Conservatoire’s retrospectives of Pierre Boulez, Louis Andriessen, Heiner Goebbels and Robert Ashley in recent years.
For the full programme, visit www.bcu.ac.uk/birtwistle.
Daisy Rock supports Youth Music
10 November 2014
Daisy Rock are supporting Youth Music by helping girls to play guitar and they will be donating 2% from each guitar or accessory sold.
Daisy Rock aims to give girls the confidence and the musical tools to play whatever music they want. Daisy Rock guitars are smaller, they have a slim neck profile and are lightweight, which makes playing easier for people with smaller hands. With the contour designed to fit the body, they are extremely comfortable.
Youth Music engage young people engage in music-making of all genres, helping them to work through personal and social issues while developing their musical skills. Daisy Rock will be supporting our investment in hundreds of projects across the country each year, providing music-making opportunities for over 90,000 young people. Several Youth Music projects are designed specifically to support young women, including Warrington Youth Service’s Girl Band. Watch this video which follows project participants through the songwriting process:
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