Cardiff and Newport music services face savage cuts
5 February 2013, Rhian Morgan
Cardiff City Council is proposing to end its subsidy of music lessons in schools by cutting its £151,000 grant to the Cardiff County and Vale of Glamorgan Music Service. The move is part of plans to save £22m in the next financial year.
Councillor Russell Goodway, cabinet member for finance, said the Labour administration had to make 'difficult decisions' as a consequence of the UK government’s austerity measures. The move will mean the music service increasing its music tuition fees by 11% to make up the shortfall.
Emma Coulthard, a music development officer with the music service, says it has become a challenge for music services to deliver what is being asked of them on dwindling funding. 'In Wales, where there was no Wider Opps money, no In Harmony and no Youth Music, Cardiff’s music service has had to be particularly creative and forge strong alliances with schools and others,' she said.
Meanwhile, neighbouring Gwent is facing similar cutbacks, with Newport City Council proposing to withdraw its funding for Gwent Music Support Service. Many hundreds of people have signed petitions against the plans. Protestors in both areas say that it is children from the poorest families, many of whom currently receive free lessons, who are most likely to suffer.
Newport-based Emma Archer, a student at the Royal Welsh College of Music and Drama in Cardiff, said she found the situation 'abhorrent'. 'Times are very hard for councils,' she said. 'However, there is a complete dearth of creative thinking at the moment. If we cut all creative outlets for the next generation and offer them little prospect of easy access to further education and very little certainty of a job at the other end, just what kind of society does the current government expect will be created?'
The two petitions can be found here:
Computer science added to EBacc but still no arts
31 January 2013, Rhian Morgan
Arts organisations are to intensify their lobbying of the government for the inclusion of creative subjects in the English Baccalaureate (EBacc) following the announcement that computer science is to be included as one of the science options which count towards the EBacc.
The change has been made following lobbying by technology companies who have been calling for a bigger role for computing in education. The Department for Education says the change is intended to reflect the 'importance of computer science to both education and the economy'.
The EBacc is currently awarded to pupils who get A* to C grades at GCSE in English, maths, sciences, history or geography and a language. From 2017, new English Baccalaureate Certificates will replace GCSEs for these subjects. There’s been extensive lobbying to add further subjects including music, the arts and religious education, with concerns that excluded subjects could be marginalised.
Deborah Annetts, chief executive of the Incorporated Society of Musicians (ISM), called on the government to address 'the needs of the creative economy and introduce rigorous creative subjects'. Stephen Twigg, Labour's education spokesman, said 'Gove's exams still place no value on creative subjects like art, music and drama, and no value on practical subjects like engineering, design and technology and construction.'
Meanwhile, the EBacc proposals have been heavily criticised in two parliamentary debates for omitting creative subjects, while Bacc for the Future, a campaign coordinated by the ISM, was praised by the Liberal Democrat Lord Clement-Jones for bringing strong voices together to save creativity in schools by calling for a sixth pillar of creative subjects to be included.
Bacc for the Future now has more than 44,000 signatories on its petition and the support of more than 100 organisations across the cultural, industry and education sectors. The petition can be signed here: www.baccforthefuture.com/sign-the-petition.html
Ofsted announces new programme of music inspections
14 January 2013, Rhian Morgan
Mark Phillips HMI, Ofsted’s national adviser for music, has ordered a series of school visits in the next few months, focusing on 'the effectiveness of music subject leadership by subject' and 'the extent to which the leadership of the local music hub is supporting and augmenting musical teaching and learning in that school'.
Visits will take place in primary, secondary and special schools, including academies, and schools will be given up to five days’ notice of a visit so that arrangements can be made with the music hub or partner organisation. A report on the visits will be published in autumn.
The aim is to follow up the findings of the 2012 Ofsted music reports Wider Still and Wider and Sound Partnerships, and to monitor the early impact of the music hubs. Phillips says inspectors will not be reporting individual judgments on the overall quality of achievement, teaching and the curriculum in each school.
'We acknowledge that it might be too soon to see significant progress with some of the priorities that we’ve set out in our 2012 reports, such as substantial changes in participation rates between different groups of pupils and significantly better musical teaching,' said Phillips. 'But we believe also that we should expect, already, to see noticeable improvements in the way that music is managed in schools, particularly by senior leaders and through partnerships with the music hubs.'
Fiona Pendreigh, chair of the National Association of Music Educators, agrees that improvements should already be evident: 'Although it is too soon to see progress with some of the outcomes expected from hub work, there is no doubt that with the wealth of reports and case studies to draw on, improvement in the way music is being managed within schools should be evident.
She added: 'It would be encouraging if schools, including the teachers, saw themselves more as partners within the hubs than previously, when they were perhaps more of a client of the music service. The integration of schools within the hubs is key to the provision of high quality music education for all children.'
Schools warned to comply with new rules on wireless microphones
10 January 2013, Rhian Morgan
One of the country’s leading suppliers of professional audio and video equipment is warning schools and colleges to ensure they comply with new rules in relation to the use of wireless microphones.
Following the digital TV switchover, some radio frequencies currently used by wireless microphones have been re-allocated to allow the broadcast of Freeview television signals and new 4G mobile technologies. 'The knock-on effect is that many wireless microphones in use may now conflict with these signals and are therefore illegal to use,' says Glyn Chapman, the managing director of EAV.
Not all equipment is affected by the changes but the technicalities can be complicated by the number of microphones in use and their location and frequency settings. The rule is that the operation of wireless equipment in the 800MHz band is illegal as of 31 December 2012.
'We’re shocked by just how little awareness there is amongst schools, colleges and universities about the changes in the law,' added Chapman. 'In our experience, up to three-quarters of education users don’t understand the changes, let alone know if their equipment is compliant.'
EAV is offering free advice on wireless microphones, with a free checking tool at www.e-av.co.uk or for more help, ring 0845 125 9409.
Newport Council threatens to cut entire music service budget
7 January 2013, Rhian Morgan
Dozens of pupils and their families have protested against proposals by Newport Council to cut its entire grant of £292,000 to Gwent Music Support Service (GMSS). The protestors, who played instruments and sang in Newport Civic Centre, say the cuts would devastate its service and hit poorest families hardest.
The council is considering the plans as part of its draft budget proposals for 2013-14, a period in which it needs to save 8.4m. It says it 'has to make choices in challenging economic times, and these are becoming increasingly difficult'. GMSS also receives funding from other councils in Gwent, but is run by Newport.
The council says its proposals aim to make the service self-sufficient, while finding ways to offer some financial support to less well-off students.
GMSS student Florence Mayo, 13, of Ponthir, who sings and plays double bass and bass guitar, said, 'If these cuts are made, children whose lives revolve around music might not be able to continue their musical career.'
Her mother, Sarah Flowers, 45, whose other children, Eliza, ten, and Reuben, six, also study with the service, added, 'We will be going from music for all to music for the already privileged.'
Charles Ferris, a Tory councillor, said he believed the cut could lead to fewer students taking up music at degree level. Labour councillor Chris Evans said, 'the image of any council snatching a violin out of a kid’s hand is pretty tough to stomach. However, let’s not jump the gun as it’s still out to consultation.'
More than 2,000 signatures have already been added to a petition to stop the cuts at www.change.org/en-GB/petitions/newport-city-council-stop-the-budget-cuts-for-gwent-music-support-service-2
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