Music lecturer dead as boat capsizes on freezing river Thames
4 January 2011
Music lecturer Keith Lowde is one of two men feared dead after the small boat in which he and five others were travelling capsized on the river Thames on Sunday evening. He was using the boat to ferry his wife and four guests to shore from his house on Pharoahs Island, Surrey, when the small vessel was turned over in freezing conditions.
Mr Lowde, 66, and an unnamed man in his 70s, were not able to reach the shore and are thought to have been taken downstream by the river’s strong currents. Police and environment agency staff conducted a search of the river, including use of a helicopter and specialist divers, and have so far recovered one body.
The four occupants who were able to reach shore were treated in hospital for minor injuries before being sent home.
Mr Lowde lectured in Music Business at the Academy of Contemporary Music (ACM) in Guildford, and previously worked for the Mechanical-Copyright Protection Society, the Copyright Hotline, and actors’ union Equity. He was considered an expert on international copyright law.
A website post on the Daily Mail’s website, claimed to be from a former student of Mr Lowde’s, read: ‘He was a truly lovely guy, really friendly, very intelligent and knowledgeable about his subject, and someone who really loved what he was doing… Hands down, he was the best teacher I had through my entire 20 years of education in this country.’
Music educators feature in New Year's Honours list
4 January 2011
Howard Goodall, the national ambassador for singing, has been awarded the CBE
The work of several music educators has been acknowledged in the New Year’s Honours list.
Howard Goodall, the national ambassador for singing, has been awarded the CBE for services to music education while John Wallace, principal of the Royal Scottish Academy of Music and Dance, was also awarded the CBE for his services to dance, music and drama education in Scotland.
Professor Wallace said of the award: 'I am genuinely delighted with this honour, it came out of the blue.'
Nicholas Chisholm, who recently retired from his position as headmaster of the Menuhin School, was awarded the MBE for services to music education, while Graham Smallbone, chair of governors of the Purcell School, was also awarded the MBE for voluntary service to music education.
Pamela and Simon Majaro, joint trustees of the Cavatina Music Trust, were both awarded the MBE for their voluntary service to the trust, which runs chamber music concerts in schools with the aim of raising awareness of chamber music. The trust was founded in 1998 and as well as running its own concerts also provides subsidised tickets to chamber music concerts for 18-25 year olds, sponsors music competitions, and grants bursaries to young musicians in exceptional circumstances.
Other musicians honoured include composers Colin Matthews, awarded the OBE, and Eileen Betty Roe-Bishop, awarded the MBE. Sarah Aaronson, piano accordionist and the founder of the London International Orchestra, was awarded the OBE, while the founder of Ireland’s Apex Jazz Band, George Chambers, was awarded the MBE for services to jazz music in Northern Ireland.
ABRSM to offer new dates for exams missed during snow
22 December 2010
ABRSM is making additional exam dates available at selected centres in January for candidates who were unable to take their exams during the recent period of severe weather and widespread snowfall. ABRSM will offer refunds to candidates who cannot attend a rescheduled date. For more details see ABRSM’s website: http://www.abrsm.org/?page=newsArticles/item.html&id=704
Vaizey: ringfenced funding for LEA music will stay
21 December 2010
Culture minister Ed Vaizey has revealed that local authority music education provision will continue to receive ringfenced funding, but cast doubt on the future of England's In Harmony projects.
On BBC Radio 3's Music Matters programme, Vaizey told presenter Tom Service that money for music provision in England and Wales will remain ringfenced when Labour’s Music Standards Fund expires next year. The Standards Fund amounted to some £332m, but so far there has been no reference to a specific sum going forward.
Regarding the In Harmony projects, Vaizey said that he would have to 'check the figures', suggesting that In Harmony may or may not form part of the coalition's plans for music education. These will not be announced until the findings of the Henley Review of the Delivery and Provision of Music Education are published in the new year.
MU training course recommends zero touching policy with pupils
17 December 2010
The Musicians Union (MU) has released a video which urges teachers to cease physical contact with their students – as part of a CPD initiative called ‘Keeping Children Safe in Music’. The initiative, run by the MU, ABRSM, MusicLeader and the NSPCC, is designed to ‘raise awareness about child protection for musicians who teach’ but elements of it have drawn opprobrium from teachers and campaigners.
The video shows a young boy of about 8 playing scales on the violin. He is not able to play the notes correctly, and the teacher explains this is because his hands are in the wrong position. The teacher then places his hand on the child’s shoulder and holds the child’s fingers in the correct position; the child looks uncomfortable.
The scene begins again, but this time the teacher demonstrates on his own violin. Both versions of the scene end with the pupil playing the correct notes.
The voice-over in the video advises that ‘You should never need to touch a student for demonstration. This can make the students feel uncomfortable. It could lay you open to a charge of inappropriate behaviour’. It is then suggested that teachers should ‘use your creativity to find other, equally effective ways to demonstrate’.
Another video shows a teacher pushing a teenaged pupil down into a chair following an altercation between members of a youth band.
The ‘Keeping Children Safe in Music’ initiative was first announced at the MU’s teachers’ conference in October and has since caused substantial reaction amongst teachers and in the national press, culminating in a piece this week in the Telegraph newspaper.
A forum on ABRSM’s website has been overwhelmed with posts from disgruntled teachers. One member, ‘Banjogirl’, says: ‘I can't help touching children occasionally. It's much better to steer a child into the position you want them than spend ten minutes trying to get them exactly where you want them without touching them. It's ludicrous.’
‘Banjogirl’ continues: ‘It's bringing children up to think that there is something dirty about touch and to be suspicious of other people.’
The MU’s national organiser for live performance and teaching, Diane Widdison, responded that: ‘It's a difficult area but we are here to protect children and to protect our members' careers.
‘When allegations are made against music teachers they are suspended immediately while an investigation is carried out and their careers are damaged or ruined even if they are declared innocent.’
There are five videos in the series, which can be found on YouTube. Widdison and the MU hope to embed the course into ‘any teaching courses or teaching diplomas so it becomes an industry standard’.
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