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Tuesday, 9th February, 2010

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Opera Now provides a unique and all-encompassing perspective on the international opera scene through its lively and colourful mix of news, reviews, interviews, travel articles and commentary.

Read about new productions, festivals, performance previews and world premieres, as well as reviews of all the latest opera CDs, DVDs, books, websites and films.

With our mixture of celebrity interviews, leadership profiles and behind-the-scenes features, you'll appreciate the diversity, passion and dynamism of the people who make opera happen. It is the global platform for opera, reaching out to opera lovers worldwide, but also into the heart of the industry from the grassroots to the glamorous.

Headlines

Read all the latest news or see individual stories by clicking the links below.

View all latest news.


Contents for Opera Now (January/February 2010)


Opera Now Contents Picture


  • OPERA FOR NOW
    London’s Barbican Centre presents a series of modern European operas with a distinctive voice and a promising future
  • THE WAO FACTOR
    West Australian Opera, based in Perth, is taking all the excitement of the art form to ‘the remotest city on earth’
  • BRAZIL’S FINEST
    As São Paulo’s opera house undergoes a major restoration in time for its centenary, Karyl Charna Lynn takes stock of opera’s illustrious past and rather more turbulent present in Brazil
  • FEASTING ON PARMA
    The charms of Verdi and vini come together in our visitors’ guide
  • PERFORMING VOICE
    Dogged by illness, few opera singers can have had as many career setbacks as Petra Lang. Mark Glanville discovers where her drive to succeed comes from
  • JOHN STEANE’S MEMOIRS: PART I
    We begin our serialisation of the operatic memoirs of one of our most venerated writers and a great commentator on the qualities of the human voice
  • CASTING CALL
    Robert Turnbull concludes his two-part survey by comparing great Wagnerians of the past with with the state of today’s talent
  • BASS LINE
    Polish bass-baritone Vitalij Kowaljow is honing his Wotan for the forthcoming Ring cycle in Los Angeles. He talks Karyl Charna Lynn through his view of the role
  • EMERALD STYLE
    Robert Thicknesse looks forward to a renewed political will to make opera in Ireland work
  • OPENING NIGHTS
    Chris Shull is full of admiration at the inauguration of the new Winspear Opera House in Dallas
  • CURTAIN CALL
    Are British composers being sold short in their native land?

View the full contents page for the latest issue here.




Multimedia

Excerpts from the best DVD reviews featured in the Opera Now November/December 2009 issue

  • DVD Reviews
  • Khovanshchina
    UNITEL-Medici Arts 2072428 ★★★★★
    (Opera Now page 116)

    Zaide
    Medici Arts 3078358 ★★★★
    (Opera Now page 117)

    Cosi fan tutte
    Opus Arte OA BD7035 D ★★★★
    (Opera Now page 118)

    View all reviews on our Multimedia page


Editorial

What makes an opera company ‘National’? It’s a question that has been thrown into sharp relief in recent months as a new operatic landscape emerges in the second decade of the 21st century.

In France, the ‘National’ designation in an opera company’s title means that the State takes on a special responsibility for looking after you. National opera companies in Paris, Lyon, Strasbourg and Bordeaux are all favoured with extra funding and strong political connections...

Continue reading the editorial...


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