Peter Hofmann dies, aged 66
6 December 2010
Hofmann in 'Die Walküre' at The Met(Winnie Klotz / Metropolitan Opera)
Peter Hofmann has died, aged 66, following a long battle with Parkinson’s disease.
The German heldentenor was best-known for his performances of heroic Wagnerian roles, including Siegmund, Parsifal, Tristan, and Lohengrin.
Hoffman's short-lived but glittering operatic career took off in 1976 with his celebrated Bayreuth Festival debut as Siegmund in Patrice Chéreau’s centenary Ring cycle, conducted by Pierre Boulez. His Metropolitan Opera debut followed four years later with Lohengrin, a role that he subsequently recorded opposite Karan Armstrong as Elsa.
Other important recordings made during Hoffman's prime include two versions of Parsifal conducted by James Levine and Herbert von Karajan, Fidelio with Sir Georg Solti, and Tristan und Isolde under the baton of Leonard Bernstein.
Hofmann's voice deteriorated markedly during the early 1980s and he retired from the opera stage in 1989, following a spate of poor performances as Siegmund at The Met and Bayreuth.
In later years, Hofmann became familiar to audiences in Germany as a TV host and pop artist, recording several cover albums and appearing in the German language version of Andrew Lloyd Webber’s Phantom of the Opera.
Ill health forced Hoffman to give up singing permanently in 2004.
- Peter Hofmann, born 22 August 1944; died 30 November 2010
- YouTube - Hoffman as Siegmund in 1981
Muti "too busy abroad" to lead Rome's Teatro dell'Opera
3 December 2010, Rome, Italy
Riccardo Muti has denied published reports that he is to take up the position of artistic director with Rome’s Teatro dell’Opera.
The reports, which were circulated by the Associated Press, claimed that Muti had signed an agreement with the company after meeting Rome’s Mayor Gianni Alemanno.
Speaking last week at a press conference in Rome, where he is currently conducting Rossini’s Moïse et Pharaon, the 69-year-old maestro confirmed that Alemanno had tried to woo him, but said:
"In a world where directors suffer continuously from jet lag, to accept the offer and then fail to commit fully to the job would have been immoral,” adding that he is “too busy abroad” with his responsibilities as music director of the Chicago Symphony Orchestra.
Alemanno echoed this statement in a report by the Italian news agency, Ansa, which quoted him as saying that Muti has only committed to "continue working" with the Teatro dell’Opera.
Muti has not held any full-time positions with opera companies in Italy since his resignation Milan's Teatro alla Scala in 2005, amidst a heated dispute with the company’s heavily unionised staff and musicians.
News round-up – 30 November 2010
30 November 2010
Angela Gheorghiu as Adriana Lecouvreur(Photo: Catherine Ashmore)
GHEORGHIU’S CANCELLATION CAUSES FURY
ROH audience boos last-minute announcement
Angela Gheorghiu recently prompted boos from the audience of the Royal Opera House by cancelling an appearance as the heroine in Cilea’s Adriana Lecouvreur. A last-minute announcement explaining Gheorghiu’s absence met with angry hissing and jeering. She was replaced by the Spanish soprano, Angeles Blancas Gulin, who was already scheduled to play Adriana later in the production run. Four more performances remain between 30 November and 10 December.
OPERA ON SYDNEY HARBOUR TO LAUNCH IN 2012
State announces new cultural tourism initiative
Australia’s New South Wales government has announced the launch of Opera on Sydney Harbour. From March 2012, this major new cultural tourism initiative will feature annual seasons of fully staged outdoor productions, presented by Opera Australia on a floating offshore stage. “The grandeur and majestic beauty of Sydney Harbour is the perfect backdrop for this project,” said government Premier, Kristina Keneally.
PETER BROOK BREATHES NEW LIFE INTO MOZART’S MAGIC FLUTE
Free adaptation to receive its UK premiere during the Barbican’s bite11
Peter Brook’s contemporary adaptation of Mozart’s Magic Flute is to receive its UK premiere at the Barbican during next year’s bite11 season. Conceived by a creative team comprising Brook, the composer Franck Krawczyk and author Marie-Hélène Estienne, five performances of this co-production with C.I.C.T / Théâtre des Bouffes du Nord will be presented at the Barbican Theatre between 23 and 27 March 2011.
TASMANIAN FESTIVAL ‘RECONSTRUCTS’ LOST MONTEVERDI OPERA
Ten Days on the Island presents David Young’s Minotaur – The Island
Tasmania’s biannual international arts festival, Ten Days on the Island, is planning a contemporary reconstruction of Monteverdi’s L’Arianna that explores the mythological and visual symbolism of the Minotaur, Ariadne, and the labyrinthine structure of the maze. Co-produced with Chamber Made Opera from Melbourne, composer David Young's Minotaur – The Island will receive its world premiere at the festival on 26 March 2011.
2011 Salzburg Festival programme announced
26 November 2010
President, Helga Rabl-Stadler(Photo: Kerstin Joensson)
Artistic Director, Markus Hinterhäuser(Photo: Peter Rigaud)
“Festivals have to create some controversy – otherwise they’re just boring.” So said Helga Rabl-Stadler, President of the Salzburg Festival, as she unveiled the programme for the 2011 Festival which runs from 27 to 30 August next year.
The theme of the festival is taken from a quote about the purpose of art from the Italian composer Luigi Nono: ‘To awaken the ear, the eye, and human thought”. (Nono’s monumental Prometeo forms part of next year’s Salzburg concert programme).
Three operas lie at the heart of the 2011 summer programme: a new production of Verdi’s Macbeth, featuring the first collaboration between the iconic German director Peter Stein and conductor Riccardo Muti. Also new are Strauss’s Die Frau ohne Schatten (directed by Christof Loy, conducted by Christian Thieleman), and Janacek’s The Makropolus Case, directed by Christoph Marthaler and starring Angela Denoke, under the baton of Esa-Pekka Salonen.
All three Mozart/Da Ponte operas directed for Salzburg by Claus Guth will be performed as a ‘cycle’ next year. Lead singers include Gerald Finley as Don Giovanni, Christopher Maltman as Guglielmo in Così fan tutte, and Erwin Schrott appearing both as Leporello and in the title role of the Marriage of Figaro.
The operas will feature three different orchestras: Les Musiciens du Louvre under Mark Minkowski, The Orchestra of the Age of Enlightenment under Robin Ticcati and the Vienna Philarmonic with Yannick Nézet-Séguin .
“This will be the first time that any of the Mozart/Da Ponte works have been performed on period instruments at Salzburg,” said this year’s artistic director Markus Hinterhäuser. “Using three orchestras will really show audience the range of styles and musical possibilities that can be applied to these operas.”
There will also be a concert double-bill of Tchaikovsky’s Iolanta and Stravinsky’s Le Rossignol, featuring Anna Netrebko and Piotr Beczala.
News round-up – 26 November 2010
26 November 2010
LA Opera Music Director, James Conlon(Photo: Mark Lyons)
JAMES CONLON TO STAY ON AT LA OPERA
Conductor renews contract until 2013
Conductor James Conlon has extended his contract as Music Director of LA Opera until 2013. He will continue to work alongside Plácido Domingo, who also recently renewed his contract as the company’s general director. Conlon has conducted 23 productions since joining LA Opera in 2006. "Under his baton our wonderful orchestra has never sounded better,” said Domingo, welcoming the news.
OPERA CLEVELAND FACES UNCERTAIN FUTURE
Task force called in to sort out company’s woes
Opera Cleveland is facing an uncertain future due to funding difficulties and has called in a task force to save the company. Executive director, William Cole, recently told cleveland.com that "We've just not been able to get in front of the tsunami of reduced funds” which has been building since 2006, when Opera Cleveland was created from a merger of Cleveland Opera and Cleveland Lyric Opera. No further performances will take place until a new strategy is in place.
ROH ANNOUNCES OPENING OF £8.3M WORKSHOP
Community opera to launch Essex-based venture on 6 December
A new £8.3 million production workshop owned by the Royal Opera House will open next month with a special performance by local volunteers. The 19-metre high building at Purfleet in Essex is capable of housing full-size stage sets for ROH productions as well as hosting education projects and local-community events. UK culture secretary, Jeremy Hunt, has agreed to attend the opening on 6 December.
MUSIC THEATRE WALES DIRECTOR RECEIVES NATIONAL AWARD
Creative Wales Awards 2010
The Music Director and co-founder of Music Theatre Wales, Michael Rafferty, is one of 18 arts practitioners who recently received a Creative Wales Award from the Arts Council of Wales. Rafferty will use his award to research the latest developments in the European new music scene, expand his concert repertoire and hone his conducting technique.
VIRGINIA OPERA APPOINTS INTERIM ARTISTIC ADVISOR
Robin Thompson to hold the reins while a new director is sought
Virginia Opera (VO) has appointed Robin Thompson as an interim artistic advisor following the recent departure of VO’s long-time artistic and music director, Peter Mark. Thompson was most recently the producing artistic director at the New York City Opera. He says he will “offer a sense of stability to the casting and season planning process" during the search for a new artistic director to succeed Mark.
DOMINGO “EMOTIONAL” OVER LATIN GRAMMYAWARD
Tenor named Person of the Year at awards ceremony in Las Vegas
Plácido Domingo, speaking at this year’s Latin Grammy Awards in Las Vegas, said he was filled him with "happiness and emotion" at being named Person of the Year. The 69-year-old tenor added: "It gives me such happiness to keep on singing and living days like this."
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