Verdi’s Otello at Lithuanian National Opera
18 March 2011, Vilnius, Lithuania
Director Eimuntas Nekrosius
Eimuntas Nekrosius is one of Lithuania’s leading opera directors and an influential figure in the European theatre scene.
Having directed Shakespeare’s Othello several times, he turns his hand to Verdi’s opera, which opens at the Lithuanian National Opera in Vilnius tonight.
”The process of directing Verdi’s Otello has been very difficult. At first I thought it would be easy: of course, the plot is the same, and it’s beautiful to see how Verdi brought out some of the same accents as Shakespeare. But the Shakespearean play didn’t help me at all, since the two pieces are so different."
"Some say it should be easy to direct the opera after doing the drama, but I’m starting to think it’s vice versa. You‘ve walked down one road already, and none of the signposts apply any more. Maybe it would have been better to start off with a clean sheet of paper!"
“I hadn’t listened to the opera all the way through until I was asked to direct it. My first impression: this is the least interesting of all operas that Verdi wrote. Maybe it was because I knew his other operas better. After a while, however, I realised this is his most sublime creative achievement.”
Verdi’s Otello runs at the Lithuanian National Opera on 18, 19 and 20 March followed by performances on 21 April and 5 May. A full review by Igor Toronyi-Lalic will appear in our forthcoming Summer issue.
Riccardo Muti wins US$1 million Birgit Nilsson Prize
18 March 2011, Stockholm, Sweden
Birgit Nilsson as Brünnhilde at the Bayreuth Festival(Photo: Siegfried Lauterwasser / Bayreuther Festspiele)
Riccardo Muti has won this year’s Birgit Nilsson Prize worth US$1 million – claimed by the organisers to be the biggest prize in classical music.
The 69-year-old Italian conductor and former music director of La Scala was selected by the jury “for his extraordinary contributions in opera and concert, as well as his enormous influence in the music world, both on and off the stage.”
Established by the legendary Swedish soprano Birgit Nilsson before her death in 2005, the Prize is awarded every two or three years to an outstanding conductor or singer who is active in the field of opera.
A statement issued by Muti said: "I was deeply touched by the jury's accolade, all the more so given my profound admiration for this unique and extraordinary artist, both as an incomparable musician and as a great interpreter."
Muti will receive the Prize at a ceremony in Stockholm on 13 October.
- Birgit Nilsson Prize
- Riccardo Muti – Official Website
- Riccardo Muti makes a stand against arts budget cuts in Italy
EMI/Virgin Classics renews exclusive contract with Joyce DiDonato
17 March 2011
Joyce DiDonato(Photo: Sheila Rock)
EMI/Virgin Classics has announced the renewal of their exclusive recording contract with Joyce DiDonato.
The American mezzo-soprano became an EMI/Virgin Classics exclusive artist in 2007 and has since recorded several critically acclaimed discs for the label including Rossini: Colbran, the Muse, which was selected for the New Yorker’s “pick of the best CDs of 2009”, plus her appearance on DVD as Rosina in the Royal Opera House production of Rossini’s Barbiere di Siviglia.
Commenting on the announcement, Virgin Classics' President, Alain Lanceron, said: “I’m very happy with Joyce’s confidence in EMI/Virgin Classics and that the wonderful adventure we embarked upon some years ago will continue with many other remarkable projects. Since her first recordings with Virgin Classics, Joyce’s fame has grown internationally and we are very proud that she is now one of the most sought after opera singers.”
DiDonato’s next album has been scheduled for release in October 2012.
Watch out for our forthcoming Summer issue of Opera Now, which will include a full-length interview feature with Joyce DiDonato. UK readers click here to order a copy from your nearest newsagent today!
- EMI/Virgin Classics
- Jocye DiDonato - Official Website
- Joyce DiDonato leaves IMG Artists for rival agency Intermusica
Pub opera beats major UK companies at Oliver Awards 2011
15 March 2011, London, UK
Director Robin Norton-Hale and producer Adam Spreadbury-Maher at Sunday's Olivier Awards in London(Photo: Dan Wooler)
The cutting edge pub opera company, OperaUpClose, has won this year’s Olivier Award for Best New Opera Production.
Their version of La bohème at Soho Theatre beat several major UK companies that were also shortlisted for the award, including the Royal Opera House and English National Opera.
Speaking about the award-winning production, which was originally created for Kilburn’s 35-seat Cock Tavern Theatre, director Robin Norton-Hale told BBC News:
"It's a genius piece by Puccini, but when you see it in Italian and you've got a soprano in her 40s playing a 20-year-old, it doesn't have the same impact.”
To make the opera easier for people to understand, OperaUpClose relocated the action to modern-day Kilburn and cast young singers as graduates who have just left university and are wondering what to do with their lives.
The show sold out its six-week run at Soho Theatre in July 2010 and returned for another six-week season in January.
“We've proved that opera can be artistically and commercially successful,” said Norton-Hale.
An Outstanding Achievement in Opera award also went to the German baritone, Christian Gerhaher, for his performance as Wolfram in Tannhäuser at the Royal Opera House.
OperaUpClose's production of La bohème will run in rep at London's Little Opera House between 21 March and 29 May. Click here for more details.
Riccardo Muti makes a stand against arts budget cuts in Italy
14 March 2011, Rome, Italy
Riccardo Muti has led an audience protest against arts budget cuts in Italy during a performance of Nabucco at the capaital’s Teatro dell’Opera.
Echoing Daniel Barenboim’s actions during the opening night of La Scala’s 2010-11 season, the 69-year-old Italian conductor turned and spoke to the audience, urging them to join him in a rendition of Verdi’s famous chorus from Nabucco, ‘Va pensiero’.
“On March 9, 1842, Nabucco debuted as a patriotic opera intended for the unity and identity of Italy,” he declared. “Today, March 12, 2011, I don’t want Nabucco to be the funeral dirge of our culture and music.”
Almost everyone in the audience responded to Muti’s request, joining him in an impassioned rendition of ‘Va pensiero’, which includes the lines “Oh mia patria sì bella e perduta!” (Oh, my country so beautiful and lost!) and “Le memorie nel petto raccendi, ci favella del tempo che fu!” (Rekindle our bosom's memories, and speak to us of times gone by!).
Speaking to reporters afterwards, Muti explained his motivation in more detail:
“I tell the chorus, the orchestra, the technicians to keep up their work, but their salaries don’t even let them pay their bills at the end of the month.”
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