Arts Council England's in-year cuts less harsh than expected
25 June 2010, London, UK
Dame Liz Forgan, ACE Chair
Arts Council England (ACE) has announced an in-year budget cut of 0.5% for its 880 regularly funded frontline arts organisations.
This move followed last month’s news that £19 million would be slashed from ACE’s 2010-11 budget as part of the Chancellor’s £6.2 billion spending reduction plan across Government.
£4 million had already been removed from ACE’s allocation by the previous Government.
In total, these measures leave ACE £23 million worse off, but for now frontline organisations have been protected and are only losing £1.8 million between them - an average of £2,000 each.
This has been achieved by taking £9m out of ACE’s own reserves, postponing a major public engagement project and cutting 4% from the budget of organisations who do not directly produce art: Creativity Culture and Education and Arts & Business. ACE will also reduce its own administrative expenditure by £400,000.
The biggest loss for frontline arts organisations in absolute terms will be experienced the Royal Opera House (£142,185), which receives ACE’s single largest annual grant of more than £28 million.
Other significant losses in the opera sector include English National Opera (£92,180), Opera North (£49,577) and Welsh National Opera (£33,976).
Commenting on the cuts, Arts Council England’s chair, Dame Liz Forgan, said that “we have done our best to minimise the effect on our funded organisations and the art they produce so brilliantly." She added: “I am confident that the decisions we have taken are the right ones - for art, for artists and for the audiences we serve.”
Meanwhile, Chancellor George Osborne revealed on Monday that worse cuts may be in store for the sector when the Comprehensive Spending Review takes place in October. He indicated that all non-protected departments – including the Department for Culture Media and Sport – could be required to reduce their budgets by as much as 25% over the next four years.
- Arts Council England
- Arts Council cuts, June 2010 – full datasheet
- "ACE did a pretty good job by adopting equal misery for all"
News round-up - 23 June 2010
23 June 2010
Cork Opera House, Ireland
Streetwise Opera's 'My Sacred Heart'
CORK OPERA HOUSE CLOSES FOR 3 MONTHS
Financial pressures force cost-cutting measure
Ireland’s 1,000-seat Cork Opera House is to close from 4 July to 29 September as part of a cost-cutting survival plan. This announcement comes one year after the completion of a €2 million revamp, paid for by public and private funds. The organisation recently announced losses of €83,000 for the financial year 2009-10, but a review of accounts by Deloitte and Touche has put this figure much higher, at €300,000. Overall, the board has been told that costs must be reduced by €500,000, and have warned staff that pay cuts and redundancies may be necessary.
STREETWISE OPERA THROUGH TO TV FINAL
The UK's National Lottery Awards 2010
Streetwise Opera, the leading UK charity that works with opera and homeless people, has been selected for the televised final of this year's National Lottery Awards. The company’s current project, My Secret Heart, was voted the Best Arts Project in a public poll, having already reached audiences of more than 150,000 on its international tour. A final round of public voting will take place from 26 July to 13 August, followed by a BBC 1 TV broadcast featuring the winners of each category.
NORTH CAROLINA OPERA NAMES FIRST GENERAL DIRECTOR
Atlanta Opera’s Eric Mitchko to lead recently formed company
North Carolina Opera (NCO) has announced the appointment of Eric Mitchko as its first General Director, effective from 6 July 2010. Mitchko, 41, is currently the Director of Artistic Administration at Atlanta Opera and previously worked as a vice-president of Columbia Artists Management. The newly-formed NCO, created by a merger of Raleigh's Capital Opera and the Opera Company of North Carolina, will launch its debut season on 15 October with two performances of Tosca.
WOLF TRAP OPERA MAKES MOZART INTERACTIVE
Audience vote decides how Zaide should end
Wolf Trap Opera in Virginia, US, recently asked audiences to decide the ending for Mozart’s unfinished opera, Zaide. A vote in the interval offered three different options – happy, ecstatic or bleak. The production by company director, Kim Pensinger Witman, also featured scenes of beatings and water-boarding, prompting what Witman has described on the Wolf Trap Opera Blog as “more honest and provocative conversations with our patrons than I’ve had in years.”
News round-up - 21 June 2010
21 June 2010
NEW YORK MET ANNOUNCES HUGE LOSSES
Spending up despite falling assets and income
The Metropolitan Opera in New York has announced investment portfolio losses running into tens of millions of dollars coupled with rising expenses over the past financial year. The cumulative result is a drop of US$144 million in the net value of the Company’s assets compared with 2008. To counteract this trend, General Manager, Peter Gelb, has already introduced cost-cutting measures for 2010-11 including a delayed pay rise for stagehands. In addition, a modest profit is now being generated by The Met’s ‘Live in HD’ telecasts, which recently topped record sales of 2.2 million tickets. Gelb told the Associated Press that “we are confident that we will thrive in the future.”
THE UK’S FAVOURITE ARIA
Purcell tops nationwide BBC poll
Henry Purcell's ‘When I am laid in Earth’ from Dido and Aeneas has been named the UK's favourite aria in a nationwide poll conducted by BBC Radio 3. Listeners were asked to email the station with their favourite aria as part of the BBC’s ongoing series, ‘A Passion For Opera’. Arias by Mozart, Wagner and Puccini also made the Top 10, which became 11 due to a tie.
COSTUME EXHIBITION OPENS IN FRANCE
Dresses worn by top divas go on display
An exhibition of dresses worn by opera’s top divas has opened at France’s national centre for stage costume in Moulins. The top attraction is expected to be Maria Callas’s salmon pink gown, created for Franco Zeffirelli’s 1964 Paris Opera production of Norma. Other past and present superstars featured in the extensive display of haute couture include Regine Crespin, Montserrat Caballe, Kiri te Kanawa, Angela Gheorghiu, Jessye Norman, Renée Fleming, Barbara Hendricks and June Anderson. The exhibition runs until 31 December 2010.
VIENNA'S HUMMING CHORUS
60,000 bees take up residence on the roof of the city's Opera House
A beehive on the roof of Vienna’s Opera House has recently become home to more than 60,000 bees. Their unusual presence is part of a government-sponsored project to celebrate the 2010 international year of biodiversity. Honey produced from the initiative will be sold at an upoming gala evening to raise funds for environmental charities.
Costume designer, Peter J. Hall, dies aged 84
An important figure in opera costume design for over 40 years, Peter J. Hall enjoyed a particularly close working relationship with director-designer, Franco Zeffirelli. After training in the costume department at London's Royal Opera House, Hall settled in Dallas in 1960 and went on to create costumes for more than 70 Dallas Opera productions, as well as working with other leading companies around the world. Peter J. Hall died on 27 May 2010, aged 84.
News round-up - 17 June 2010
17 June 2010
LBO's Artistic and General Director, Andreas Mitisek
LONG BEACH OPERA ANNOUNCES PROFITS
Company’s subscriptions up by 35%
California’s Long Beach Opera (LBO) has announced profits for the current season thanks to a 35% increase in subscriptions, “dedicated donors” and productions that use “a lot of imagination instead of a lot of money,” said the company’s Artistic and General Director, Andreas Mitisek. LBO’s 2011 Season will feature one US West Coast and three Southern California premiere productions, including Cherubini’s Medea, Philip Glass’s Akhnaten, Shostakovich’s Cherry Town, and The Difficulty of Crossing a Field by Pulitzer-winning composer David Lang and playwright Mac Wellman.
THE 3RD BIENNIAL GALINA VISHNEVSKAYA OPERA SINGERS COMPETITION
28-year-old Armenian tenor wins first prize for men
28-year-old Armenian-born tenor, Khachatur Badalyan, has won the first prize for men in Moscow’s third biennial International Opera Singers Contest of Galina Vishnevskaya. He sang Lensky’s aria from the second act of Eugene Onegin and ‘Pourquoi me reveiller’ from Massenet’s Werther. No first prize for women was awarded, but the second prize went to Viktoria Grig, a 31-year-old mezzo-soprano from Russia. 53 singers took part in the finals, 46 of whom were from Russia and other countries of the former Soviet Union. The remaining seven contestants came from Mongolia.
FRANCESCA ZAMBELLO BRINGS CHANGES TO GLIMMERGLASS
Re-branding heralds launch of other new initiatives
The new general manager and artistic director of Glimmerglass Opera, Francesca Zambello, has announced her plans for major changes to the 35-year-old summer opera festival in Cooperstown, N.Y. As well as changing the name from Glimmerglass Opera to Glimmerglass Festival, Zambello has promised to introduce Broadway musicals plus expanded offerings of concerts, cabaret and readings. A Glimmerglass Festival Artist in Residence will also be invited for the first time next year, and will participate in Festival activities throughout the summer.
BRYN TERFEL MAKES HIS ROLE DEBUT AS HANS SACHS
19 June 2010 – Die Meistersinger von Nürnberg at Welsh National Opera
The celebrated Welsh bass-baritone, Bryn Terfel, will make his much-anticipated role debut this week as Hans Sachs in Wagner’s Die Meistersinger von Nürnberg. The new Welsh National Opera production by Richard Jones is also a first for the company – and for Jones.
WASHINGTON NATIONAL OPERA CHORUS MEMBER SHOT DEAD
Singer’s body found in public park
43-year-old Washington National Opera chorus member, Don Diego Jones, was found shot to death last week in one of the city’s public parks. Jones had sung with WNO for the past 14 years and recently played the role of the Crab Man in a revival of Porgy and Bess.
World Premiere – A Dog’s Heart at Netherlands Opera
14 June 2010, Amsterdam, The Netherlands
Alexander Raskatov´s 'A Dog’s Heart'(Photo: De Nederlandse Opera)
Russian composer Alexander Raskatov´s first opera, A Dog’s Heart, received an ecstatic reception at its world premiere in Amsterdam last week.
Rastov’s restless, exuberant music was a perfect match for the comic ingenuity of Simon McBurney, artistic director of Complicite, also making his operatic debut with this work.
Burney, with the help of the Blind Summit Theatre’s inventive puppetry, captures Russian satire at its best with his trademark screwball pacing and surreal sense of humour.
The opera, co-commissioned by the Netherlands Opera and English National Opera, is based on Michael Bulgakov’s sharp, witty anti-Soviet novel. It will receive its English National Opera premiere in November this year.
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