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Opera Now provides a unique and all-encompassing perspective on the international opera scene through its lively and colourful mix of news, reviews, interviews, travel articles and commentary.

Read about new productions, festivals, performance previews and world premieres, as well as reviews of all the latest opera CDs, DVDs, books, websites and films.

With our mixture of celebrity interviews, leadership profiles and behind-the-scenes features, you'll appreciate the diversity, passion and dynamism of the people who make opera happen. It is the global platform for opera, reaching out to opera lovers worldwide, but also into the heart of the industry from the grassroots to the glamorous.



Latest News

Anthony Rolfe Johnson dies, aged 69

26 July 2010, London, UK

Anthony Rolfe Johnson
Anthony Rolfe Johnson

British tenor Anthony Rolfe Johnson has died, aged 69, following a long battle with Alzheimer’s.

Johnson came to music relatively late in life, starting out as a farmer before deciding to change direction. Throughout the 1970s and 1980s he was recognised as one of the leading English tenors of his generation, performing and recording prolifically before illness forced him to stop.

A student of Richard Lewis and Peter Pears, Johnson’s career included all of the major operatic roles and song cycles written by Britten for Pears. He was also active as a teacher at the Britten-Pears School in Suffolk, and went on to be appointed as the director of the School in 1990.

Johnson’s approach to vocal colouring and articulation, coupled with his own enormous emotional range, made him a natural successor to Pears. In particular, Johnson was a formidable interpreter of the role of Aschenbach from Britten’s Death in Venice, which he first performed in the 1983 co-production by Scottish Opera and Geneva Opera, then later at New York’s Metropolitan Opera.

Other operatic roles in which Johnson excelled included the Evangelist from Bach’s St John and St Matthew Passions, Debussy’s Pelléas and Mozart’s Idomeneo. He became the tenor of choice for several recordings by Nikolaus Harnoncourt and Sir John Eliot Gardiner and was a founder-member of Graham Johnson’s Songmakers’ Almanac.

Anthony Rolfe Johnson was appointed a CBE in the 1992 Queen's Birthday Honours list.

Waiting for Godot - The Opera, by Pierre Boulez?

22 July 2010

Pierre Boulez
Pierre Boulez(Photo: Universal Edition)

Pierre Boulez, the composer who once famously quipped that “The most elegant way of solving the opera problem would be to blow up the opera houses”, is rumoured to be writing his first opera.

French critic, Renaud Machart, reported in Le Monde that “according to our sources” Boulez is writing an opera based on Samuel Beckett’s absurdist play, Waiting for Godot, with its world premiere “planned for La Scala in Milan in 2015.”

Responding to Opera Now via email, however, a spokesperson for Boulez’s publisher, Universal Edition, said: “We cannot confirm the rumour that Pierre Boulez is planning to write an opera based on Samuel Beckett's Waiting for Godot. Maestro Boulez has many plans and it is too early to say which he will decide to realise."


News round-up - 16 July 2010

16 July 2010

Gran Teatro del Liceu de Barcelona
Gran Teatro del Liceu de Barcelona

Anthony Freud
Anthony Freud

Redundancies prompt plans for strikes

The chorus of the Gran Teatro del Liceu de Barcelona has mounted a public protest in the city’s historic Las Ramblas quarter to denounce proposed job losses and salary cuts. 72 singers took part in the performance of Verdi’s chorus of Hebrew slaves from Nabucco (‘Va, pensiero, sull’ali dorate’), watched by a crowd of onlookers and television cameras. The protest followed a 5% salary cut in June and the announcement that 10% of the theatre’s 400 workers are soon to be made redundant. A spokesperson for the chorus said that if no agreement is reached, they will strike on 23 July to disrupt the premiere of the zarzuela Dona Francisca.

Anthony Freud re-elected as chairman

Opera America, the US national service organisation for opera, has elected seven new board members. They were appointed during the recent Opera America conference in Los Angeles. Chairman, Anthony Freud, has also been re-elected to serve another two-year term. The new members include Gregory Carpenter, general director of Opera Colorado, David B Devan, executive director of the Opera Company of Philadelphia, Andreas Mitisek, artistic and general director of Long Beach Opera, and composer, Jake Heggie, whose Moby-Dick recently received rave reviews at its Dallas Opera world premiere.

Partnership with Emerging Pictures announced

Opus Arte, the UK arts production and distribution company, has announced a partnership with Emerging Pictures that will bring productions from London’s Royal Opera House into US cinemas. Emerging Pictures is America’s largest all-digital network of independent cinemas and already screens opera productions from the Teatro alla Scala in Milan and the Gran Teatre del Liceu in Barcelona. 

17-16 September 2010 – The Netherlands

The 48th biannual International Vocal Competition ’s-Hertogenbosch will take place this year from 17 to 26 September. Featuring jury members Edith Wiens, Dunja Vejzovic and Sergej Leiferkus, the ten days are expected to attract over 180 young, talented singers performing opera, oratorio and Lied. Cash prizes worth a total of €45,000 are on offer, together with engagements with De Nederlandse Opera, Opera Zuid and I Romantici. Applications are still open, and overseas candidates are being invited to apply via YouTube for the first time in the history of the competition.

Rigoletto in Beijing – 2 August 2010

Plácido Domingo will make his debut as Rigoletto on 2 August, leading a concert performance in Beijing with five singers from the Washington National Opera Domingo-Cafritz Young Artist Program. This is the second baritone role to be tackled by Domingo, who received mixed reviews for his recent portrayal of Simon Boccanegra at London’s Royal Opera House.

Spanish tenor celebrates his country’s World Cup victory

Plácido Domingo flew to Johannesburg on a night off from Simon Boccanegra at the Royal Opera House to watch Spain win their first ever World Cup final. The 68-year-old Spanish tenor, who recently recovered from cancer surgery, joined his country’s team for their post-match celebrations before flying back to London. He appeared two nights later in a performance that was screened live in nine UK cities.

Mezzo-soprano to appear in this year’s Doctor Who Christmas special

The pop-classical Welsh mezzo-soprano, Katherine Jenkins, is to appear in this year’s Christmas special episode of the long-running BBC science fiction drama, Doctor Who. In a statement to the press, Jenkins said: ''I heard the news that I got the role on my 30th birthday and it was the best birthday present ever.''

Welsh tenor caught out by technology

Welsh tenor Wynne Evans, the voice of UK advertising campaign GoCompare, was recently caught out by his own public posts on Twitter. Citing illness as the official reason, he withdrew from a concert of works by Beethoven, only for it to be revealed that two days earlier he had posted the tweet: "Bloody Beethoven – learning music is hardly ever fun."


Sir Charles Mackerras dies, aged 84

15 July 2010, London, UK

Sir Charles Mackerras
Sir Charles Mackerras(Photo: Z Chrapek)

Sir Charles Mackerras has died at the age of 84 following a battle with cancer.

The Australian conductor, who enjoyed a career spanning some 60 years, was recognised internationally for his performances and recordings of opera and orchestral repertoire. His numerous appointments included conductor laureate of the Scottish Chamber Orchestra, conductor emeritus at Welsh National Opera, principal guest conductor emeritus at San Francisco Opera, conductor emeritus of the Orchestra of the Age of Enlightenment and principal guest conductor of the Philharmonia Orchestra.

Speaking about the news, Roy McEwan, managing director of the Scottish Chamber Orchestra said: "We learned this morning with great sadness of the death of Sir Charles Mackerras. Sir Charles was one of the most distinguished conductors of his generation and it has been an enormous privilege for all of us at the SCO to have had such a special relationship with him over the last twenty years or so. Apart from being a great musician, Charles was a man of enormous warmth, wit and personal generosity. For him, the music always came first, which gave him a humility in the way he approached his craft and an integrity in all the work he undertook."

A specialist of the Czech repertoire - especially Janáček - and regarded as one of the foremost interpreters of Mozart, Mackerras conducted in opera houses and concert halls worldwide and remained in high demand right up until the end of his life.

Future plans included making a guest appearance at next month’s BBC Proms and a concert performance of Idomeneo at the Edinburgh Festival later this year – a festival for which he was recently named honorary president.

Sir Charles also had a long-standing relationship with the Royal Opera House, Covent Garden, conducting 26 operas there in total. A statement released yesterday by the company's music director, Antonio Pappano, said: "Charlie Mackerras’s impact on the development of musical performance practice over the last 60 years has been enormous.  He was a force of nature, a true man of the theatre, who grappled with how to honour a composer’s intentions with the utmost rhythmic flair, drama and enthusiasm."

A full news story and obituary will appear in the September/October issue of Opera Now


Kent Nagano to leave the Bavarian State Opera in 2013

14 July 2010

Kent Nagano
Kent Nagano(Photo: Nicolas Ruel)

Nikolaus Bachler
Nikolaus Bachler(Photo: Christian Kaufmann)

The music director of the Bavarian State Opera, Kent Nagano, has announced that he will not be available to extend his current contract beyond the summer of 2013.

A public statement issued by the 53-year-old US conductor said that recent “cultural and political developments” in Munich had prompted his decision, which he hoped would “avert any harm being caused to the Bavarian State Opera by a protracted succession debate and subsequent in-house tensions”.

Nagano is the third cultural figure to quit a prominent post in the city since last year, the others being Christian Thielemann, former conductor of the Munich Philharmonic, and Ulrich Peters, artistic director of the State Theatre at Gärtnerplatz.

Already, however, some critics have suggested that by releasing a statement directly to the media, Nagano has highlighted his real reason for moving on – namely a permanent rift in relations with the State Opera’s general manager, Nikolaus Bachler.

Bachler, who declined to comment on Nagano’s statement, also holds a contract with the Bavarian State Opera until 2013. “At the moment it seems very likely that Bachler's contract will be renewed,” says Opera Now Contributing Editor, Tom Sutcliffe, “but what is less clear is whether Nagano will now stay in harness with him until 2013. That is not a good recipe.”

According to Sutcliffe, the seeds for this controversy were sown in 2006 when Peter Jonas and Zubin Mehta left the company: “Their succession was handled poorly by the relevant politicians in Munich. Christoph Albrecht was originally chosen to become the company’s general manager, but decided not to take up this position when Kent Nagano was appointed. As a result, the house was without a general manager until the arrival of Nikolaus Bachler in 2008.”

Ever since, says Sutcliffe, the alleged tensions between Nagano and Bachler “have been increasingly clear, with the atmosphere in the theatre said to be hostile and conspiratorial.” On at least one occasion “bad reviews of Nagano's performances were mysteriously posted in the corridors.”

Audience support for Nagano has also been mixed: "Nagano's speciality in his career has tended to be rare or new works, so few Munich opera-goers would regard him as well suited to the task of leading performances in the classic and romantic German repertoire. Moreover," suggests Sutcliffe, "Nagano's background has always been more attuned to orchestral work than to the slog of the opera house – for example, he is not known for paying particularly careful attention to singers' entries (where he rarely gives indications from the podium).”

Speculations about who might replace Nagano are already rife, but although Bachler has praised Daniele Gatti in the past, Sutcliffe thinks that a more likely contender will be Kyril Petrenko, the 38-year-old former music director of Berlin’s Komische Oper – “one of the hottest properties in the opera business today.”


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