Philip Langridge dies aged 70
23 March 2010
Philip Langridge(Photo: Philip Davies)
Philip Langridge has died aged 70 following a positive diagnosis for cancer earlier this year. Recognised as one of the finest English tenors of his generation, Langridge was particularly well known for his interpretation of Janáček and modern British operas.
Composer Harrison Birtwistle, whose operas include several major roles crafted specially for Langridge, described him as a “unique artist-musician" whose death has left "a large hole in the world's music".
Philip Gordon Langridge CBE, tenor – born 16 December 1939, died 5 March 2010.
Aberdeen Word festival to host five new opera premieres
17 March 2010
Scottish Opera has announced that five newly commissioned short operas will be premiered in May 2010 during Word, the University of Aberdeen’s Writers Festival. A short tour to Edinburgh’s Traverse Theatre and Òran Mór cultural centre in Glasgow will follow.
The operas have been commissioned under Scottish Opera’s ongoing Five:15 Operas Made in Scotland initiative, now in its third year.
Five teams of writers and composers are involved, each with a distinct approach to their chosen subject matter. These include an exploration of the strength found in words during wartime, a satirical take on modern morality and the state of the economy, and a tale of forgiveness that treads the middle way between passion and spirituality.
This year’s commissions also include the first score by a woman composer – Miriama Young – plus a three-way collaboration involving a writer and two composers that promises a blend of orchestral and electro-acoustic music. There’s even a returning partnership from a previous year, namely writer Ron Butlin and composer Lyell Cresswell, whose production for Five:15 in 2008 received rave reviews.
“This third year of Five:15 looks as original as ever”, says Scottish Opera’s General Director, Alex Reedijk. “It’s truly exciting that the project is still generating great interest among artists in Scotland.”
Planned over five years, Five:15 will culminate with some longer-length productions during Scottish Opera’s 50th birthday celebrations in 2012.
News round-up - 16 March 2010
16 March 2010
Opera heroine?: Anna Nicole Smith(Photo: Mark J. Terrill/AP)
Classical BRIT Lifetime Achievement Award winner: Dame Kiri Te Kanawa(Photo: John Swannell)
Back with Decca: Andreas Scholl(Photo: Eric Larrayadieu)
ROYAL OPERA TO STAGE LIFE OF FORMER PLAYBOY MODEL
Mark-Anthony Turnage premiere scheduled for February 2011
London’s Royal Opera House has announced details of a new commission about the life of U.S. glamour model, Anna Nicole Smith. With a libretto by Jerry Springer: The Opera co-creator, Richard Thomas, and music by Mark-Anthony Turnage, the premiere will be directed in February 2011 by Richard Jones. Smith, who first came to public attention after marrying an oil billionaire nearly four times her age, was later dubbed “the queen of trailer trash” by U.S. tabloids. She died in 2007.
NYCO AND LYRIC OPERA CHICAGO CONTINUE THE U.S. TREND IN CUTS
Fewer performances overall but adventurous programming choices sustained
New York City Opera (NYCO) and the Lyric Opera of Chicago have announced trimmed-back seasons for 2010-11, yet both companies have managed to include some adventurous programming despite the cuts. NYCO, which for financial reasons recently ceded four weeks of its autumn season to New York City Ballet, will present the first opera by Broadway musicals veteran, Stephen Schwarz, plus the New York premiere of Bernstein’s A Quiet Place, and a triple bill of short operas by John Zorn, Arnold Schoenberg and Morton Feldman. In Chicago, the Lyric Opera’s season (down to 68 performances from 77 this year) includes new productions of Britten’s A Midsummer Night’s Dream, Handel’s Hercules and Wagner’s Lohengrin.
GELB STEERS CHANGES AT THE MET
Peter Sellars to make his Met debut while prices rise and union talks continue
New York’s Metropolitan Opera recently announced price rises of 11% on tickets and 6% on subscriptions for the company’s 2010-11 season. This move coincided with the launch of the season programme, which – signalling a commitment to working with new directors and replacing decades-old revivals by Franco Zeffirelli – includes a new La traviata by Willy Decker and Peter Sellars’ Met debut with Nixon in China. Meanwhile, general manager Peter Gelb has engaged his predecessor, Joseph Volpe, to negotiate a better deal for the company when chorus, orchestra and stagehand contracts expire next year.
NEW OPERA COMPANY LAUNCHED IN NORTHERN IRELAND
Opera Company NI to reinvigorate opera in County Down
The Arts Council of Northern Ireland has committed funds of £374,000 towards a new opera company in County Down, merging the existing resources of Castleward Opera and Opera Fringe. As well as staging its own productions and working with regional partners to develop touring, Opera Company NI will offer training opportunities for local talent.
MINNESOTA OPERA 2010-11 SEASON
World premiere commission to close five-opera run
Highlights of Minnesota Opera’s 2010-11 season will be the world premiere of Ricky Ian Gordon’s The Garden of the Finzi-Continis, based on Giorgio Bassani’s novel, and a new production of Donizetti’s Maria Stuarda, directed by Kevin Newbury. Gluck’s Orfeo ed Euridice – another new production – will feature counter-tenor David Daniels and The Saint Paul Chamber Orchestra under Harry Bicket, while Rossini’s La Cenerentola and Verdi’s La traviata complete the season’s line-up.
FRANCESCA ZAMBELLO TO LEAD U.S. OPERA FESTIVAL
Glimmerglass Opera names Zambello as general and artistic manager
Director Francesco Zambello has been named as the new general manager and artistic director of Glimmerglass Opera, the 35-year-old summer opera festival in Cooperstown, N.Y. Zambello will assume her new position in September 2010 and is expected to announce a major overhaul of the company shortly afterwards.
ANDREAS SCHOLL RETURNS TO DECCA
High profile projects consolidate new long-term contract
German counter-tenor, Andreas Scholl, has signed a new long-term recording agreement with Decca, marking the renewal of a relationship that lasted from 1999 until 2006 when Scholl moved to Hamonia Mundi. His first project under the new agreement is Handel’s Giulio Cesare with Les Arts Florissants, playing the title role alongside Cecilia Bartoli, Philippe Jaroussky, and Nathalie Stutzmann.
DAME KIRI TE KANAWA TO BE HONOURED AT CLASSICAL BRITS
11th Classical BRIT Awards 2010
The New Zealand-born soprano, Dame Kiri Te Kanawa, will receive a lifetime achievement award at this year’s Classical BRITs. She will also perform live during the awards ceremony in London’s Royal Albert Hall on 13 May. Previous recipients of the award include Plácido Domingo and Jose Carreras.
KOMISCHE OPER MUSIC DIRECTOR TO MOVE ON IN 2012
American conductor, Carl St. Clair, will leave his post as music director at Komische Oper Berlin in 2012 when the company’s general manager, Andreas Homoki, moves to Zurich Opera House. Homoki’s successor in Berlin, Barrie Kosky, is already searching for a new music director.
100 opera houses join in Europe Day celebrations
12 March 2010
On 8 and 9 May, 100 opera houses in 22 countries across Europe will celebrate the fourth annual European Opera Days weekend through a coordinated programme of activities called ‘Crossing Bridges’.
The participating opera houses will mount open days, special performances and education events that explore ‘bridges’ between theatres and local communities, as well as links to other creative art forms and cultures.
Timed to coincide with Europe Day (9 May), European Opera Days is a joint initiative of Opera Europa and RESEO (the European Network for Opera and Dance Education).
“We believe that ’Crossing Bridges’ is a stimulating metaphor for the art of opera today”, say Opera Europa President, Joan Matabosch, and RESEO Chair, Linda Lovrovic. “Often accused of being elitist and out-of-date, opera today is extraordinarily alive and kicking. Exploring unconventional spaces, performed in pubs and metro stations, it also uses multimedia and state-of-the-art technology to tell stories which reach out and speak to us all.”
Some of the weekend’s more unusual highlights include:
- Opéra Royal de Wallonie, Belgium: an ‘artistic battle’ between workshop groups, mixing contemporary urban street culture with Donizetti’s Rita.
- Scottish Opera, UK: 'Baby O' - a creative workshop connecting sounds with movement, colours and textures for babies and their parents.
- Royal Opera House, UK: La traviata workshops for 60 participants aged 9-12, initiating the ROH's first Youth Opera Company.
- Deutsche Oper am Rhein, Germany: a practical workshop for young people based on Rameau’s Les Paladins, mixing music, dance and painting.
- National Theatre Brno, Czech Republic: a fashion show of popular high street brands modelled by leading Czech singers, with opera soundtrack.
- Icelandic Opera, Iceland: surprise performances of opera arias, duets and choruses performed in shopping centres, schools and swimming halls.
Visit the official European Opera Days website for the full weekend programme
Plácido Domingo recovering after surgery for cancer
12 March 2010
Plácido Domingo (Photo: Sheila Rock)
Plácido Domingo has announced via his official website “that the doctors have given me a clean bill of health, with no follow-up therapies necessary”. His statement follows surgery to remove a ‘malignant localised polyp’ from his colon.
The 69-year-old Spanish tenor was due to have played Bajazet in Handel's Tamerlano at Covent Garden (5-20 March 2010), but pulled out at at short notice when he felt abdominal pains while singing in Tokyo.
Speaking on behalf of Domingo in New York earlier this week, spokeswoman Nancy Seltzer explained that "His exact return to his performing engagements remains subject to how fast he can heal and regain his characteristic strength."
He is currently still scheduled to sing the title role in Verdi’s Simon Boccanegra at La Scala, Milan on 16 April.
News of Domingo’s illness follows recent reports exploring whether his packed international performing schedule combined with general directorship of Washington National Opera and LA Opera is over-taxing. In particular, several commentators have raised concerns that the fortunes of the two opera companies are suffering because Domingo cannot devote adequate time to his duties.
LA Opera recently had to secure a $14 million emergency loan to cover debts accumulated by the company over the past three years, whilst Washington National Opera was forced to eliminate eight staff positions and reduce its number of productions next season from six to five (down from seven in the 2008/09 season).
Speaking to the Los Angeles Times in February, Domingo staunchly defended his relationship with both companies: "Nothing has changed since I started my contracts, both with Washington and then with Los Angeles," he said. "I'm very proud that both companies, they have really grown. And the only problem that we have right now is the fact that we are generally, globally, in a crisis."
For a man who lives by the personal catchphrase, “If I rest, I rust”, such confidence is characteristic and – so it seems from the message posted on his website – not easily shaken:
“I can’t go on stage for a few more weeks, but I am spending my time studying and preparing for future engagements. I feel well and am looking forward to performing again as soon as possible. My love to you all. Plácido.”
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