Korean Bass Wins Inaugural ‘Stella Maris’ Competition
4 November 2009
Tenor Michael Schade with winners Jong Min Park, Ji-Min Park and Dovlet Nurgeldiev
Held on board a luxury ship during a 10-day cruise between Venice to Barcelona, the first ever Stella Maris International Vocal Competition came to a close today.
The competition’s overall winner, Jong Min Park, has been awarded the title Stella Maris Classical Star 2009. The 22-year-old Korean bass from the Accademia alla Scala in Milan also received the 15,000 Euro audience prize and a consultation with the Austrian artist agency, Dr Raab & Dr Böhm.
Park was the audience favourite throughout the competition, and secured his victory in the final round with a performance of an aria from Donizetti’s Lucia di Lammermoor.
Two other competitors also received prizes from the international jury, led by Canadian tenor, Michael Schade.
Dovlet Nurgeldiyev (tenor) of Hamburg State Opera will do a test recording with Deutsche Grammophon, while Ji-Min Park (tenor) of the Royal Opera House Covent Garden is due to appear in concert with the Deutsche Radio Philharmonie Saarbruecken/Kaiserslautern and as part of “Musik in den Haeusern der Stadt” in Cologne.
The 400 guests travelling on board MS Europa were invited to attend all four rounds of the competition, which included eight competitors from international opera houses across Europe and the USA.
Next year’s Stella Maris International Vocal Competition will take place on a cruise from Istanbul to Dubai between 6 and 26 November 2010.
News roundup – 4th November 2009
4 November 2009, International opera news
L’ELISIR D’AMORE NOW AVAILABLE ON THE GLYNDEBOURNE LABEL
Released 2 November
Recorded at the 1962 Glyndebourne Festival with Mirella Freni in the role of Adina, Donizetti’s L’elisir d’amore is now available on The Glyndebourne Label. The company’s fifth new CD release from its historic archives, it was with this Franco Zeffirelli production that Freni first achieved international recognition. Also featuring Luigi Alva as Nemorino, with the LPO under Carlo Felice Cillario.
‘TWEETS’ TO DEMYSTIFY THE HISTORY OF OPERA
San Diego Opera offers daily Twitter updates
With a limit of just 140 characters per ‘tweet’, San Diego Opera has launched an online project to demystify the history of opera. Using the free micro-blogging site, Twitter, the company will post daily updates that are both informative and entertaining, tracing the evolution of the art form from 1590 to the present day. Twitter’s 6 million unique monthly visitors around the world will be able to track these updates by watching out for the prefix ‘#operahistory’.
OPERA VOLUNTEERS INTERNATIONAL MEET IN NASHVILLE
Opera Volunteers International (OVI), a nonprofit organisation that promotes opera through volunteer activities in the United States and Canada, will hold their next international focus meeting at the new Noah Liff Opera Center in Nashville, Tennessee later this month. Delegates will attend training sessions and performances, including the new Nashville Opera production of Philip Glass’s The Fall of the House of Usher directed by John Hoomes.
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FREE LIVE OPERA TRANSMISSIONS FOR U.S. SCHOOLS
Beginning 7 November
The Metropolitan Opera in New York will start its second season of free live opera screenings for schools with a transmission of Puccini’s Turandot on 7 November. Reaching an estimated 12,000 students, educators and parents in 13 states across the U.S., The Met: HD Live in Schools will include a total of four high-definition screenings between November 2009 and May 2010.
Cutting edge youth opera festival starts today
4 November 2009, Utrecht, The Netherlands
The fifth jubilee Yo! Opera Festival for young people opens today in Utrecht, Netherlands, with the premiere of Grensgevallen (Borderline Cases), celebrating the 20th anniversary of the fall of the Berlin Wall.
Based on the responses of 10 young people who were asked “What do you want to do to change the world around you?”, Grensgevallen is made up of 10 short operas, movies and games.
It’s just one of several new projects that will be showcased at Utrecht’s city theatre, the Stadsschouwburg Utrecht, between 4 and 8 November 2009.
Other highlights include a multimedia rewrite of Shakespeare’s Othello, an opera “in the mix” with different music styles, and a fairytale show for very young children that takes them on a journey through theatre and music.
Alongside these performances, the festival will host Stand Up Dreaming, the fifth international Yo! Opera Meeting for young opera professionals, at which the dreams of the next generation of creators and producers will be debated.
Three prizes of 1000 Euros are being offered to young opera makers for new production ideas that will be realized at the next Yo! Opera Festival in 2011.
Founded in 2001, the Yo! Opera Festival has already been a platform for 38 world premieres of works by young composers from across Europe as well as Mexico, and last year was awarded 50,000 Euros by the Prince Bernhard Cultural Fund for work in the field of youth opera.
Inaugural competition for young black opera singers
31 October 2009, Birmingham, UK
Prize factor: Sir Willard White
The final of the inaugural Voice of Black Opera competition will take place today in the Great Hall of Birmingham University, UK. A shortlist of seven singers have been invited to perform with the Royal Ballet Sinfonia before an international jury including legendary sopranos Grace Bumbry and Maria Ewing.
Launched earlier this year, the competition is organised by the British Black Classical Foundation, and will be a biennial event for singers of black and Asian heritage from across the Commonwealth.The Foundation's Patron, Sir Willard White, has given his name to the winning trophy and prizes include an engagement during the Rosenblatt Recital series at St John’s Smith Square in 2010 and coaching with Welsh National Opera.
Thomas Arne’s Artaxerxes resurfaces after a century
30 October 2009
Christopher Ainslie as ArtaxerxesRICHARD HUBERT SMITH
The first new production of Thomas Arne’s Artaxerxes in more than a century will receive its premiere at The Royal Opera’s Linbury Studio Theatre tonight.
Timed to introduce the 300th anniversary of Arne’s birth next year, the nine performances at the Linbury Studio are staged by the Classical Opera Company, conducted Ian Page, its founder and artistic director.
Arne’s original score for Artaxerxes was destroyed by fire in 1808, so Page has prepared a new performing edition of the work with a reconstruction of the final chorus by Duncan Druce (famous for his completion of Mozart’s Requiem performed at the Proms in 1991).
Artaxerxes, which received its premiere in 1762, was a unique experiment in writing an opera seria in English – an experiment that proved successful. The opera stayed in the repertoire until 1843, and was given more than 100 performances by 1790 alone.
Best known today as the composer of ‘Rule, Britannia!’ from his opera Alfred, Arne was a hugely popular figure in mid 18th century England and one of Handel’s few credible rivals. The Linbury provides something of an antidote to a Handel centenary year which has seen a string of new productions and revivals of Handel opera across the world.
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