cinemalive

Opera Now provides a unique and all-encompassing perspective on the international opera scene through its lively and colourful mix of news, reviews, interviews, travel articles and commentary.

Read about new productions, festivals, performance previews and world premieres, as well as reviews of all the latest opera CDs, DVDs, books, websites and films.

With our mixture of celebrity interviews, leadership profiles and behind-the-scenes features, you'll appreciate the diversity, passion and dynamism of the people who make opera happen. It is the global platform for opera, reaching out to opera lovers worldwide, but also into the heart of the industry from the grassroots to the glamorous.


La Traviata at the Soho Theatre

Il Divo

Giulio Cesare at Wolf Trap Opera

30 June 2014, Virginia, US

Dazzling stars: Ying Fang as Cleopatra with John Holiday as Giulio Cesare
Dazzling stars: Ying Fang as Cleopatra with John Holiday as Giulio Cesare(Photo: Teddy Wolff)

Review by Karyl Charna Lynn

It is common today for opera companies and festivals, especially the smaller ones, to update Baroque opera both for financial reasons (it is cheaper to buy contemporary clothes than to make the elaborate costumes dictated by the story) and for relevance to today’s audiences (it is easier to relate to the characters’ continuously changing circumstances and emotional states, when they look, behave, and dress like we do). With themes of power, ambition, treachery, lust, love, cruelty and murder Giulio Cesare can be just as relevant today and when Handel composed it in 1724.

Unfolding against the background of an endless sandy desert punctuated by a few pyramids and sphinxes, with various props -couch, liquor bar, bed, huge silver and gold globes - appearing and disappearing for location changes, the opera possessed a veneer of ancient Egyptian symbolism that coloured the modern set and activities.

As I wrote in my review of Galileo, Galilei (Opera Now, October 2013), the most amazing voice (again) belonged to countertenor John Holiday, whose high sweet sound is probably as close to a pure 'castrati' voice as one can hear today. Assaying the title role, and outfitted in a shimmering white Navy uniform, he was not only victorious at the Battle of Pharsalia but also conquered the Wolf Trap stage. Kim Witman, the company's young artist programme director, told me that some vocal lines were bumped up to accommodate his high range and crisp, spotless coloratura. The voice of countertenor Eric Jurenas, who looked like he just stepped off a cruise ship in a white linen suit and tropical-print shirt as the sleazy, tyrant Tolomeo, paled in comparison, although his execution was certainly satisfactory. The other standout was Ying Fang, who dazzled both with her voice, and allure as Cleopatra.

Although the opera was cut from four to a bit more than three hours, it still seemed long, despite the clever and amusing touches director Chas Rader-Shieber sprinkled throughout the work. And the small pit, which required instruments to be placed in the auditorium, appeared to somewhat dampen the spirited conducting of Antony Walker.


See all latest news


Sign up to enews

Click here to sign up for free e-newsletters from Rhinegold magazines.


Opera Brochures

Customer Service

Our dedicated customer service team is here to help.

Please click for full details of how to contact us.

©2014 Rhinegold Publishing | Website by Semantic