Spring 2 – 2017/18
Musical theatre issue: what makes a good performance and how to assess acting objectively; scholarships for BAME performers and training in musical theatre; developing comedy acting with Spamalot; training and maintaining a healthy voice; and Kinky Boot’s David Hunter.
Plus, dealing with parents sceptical about the arts; a new tech solution for observing lessons; creating the conditions for communicative success by putting down smartphones; the Lyric Hammersmith’s support network for teachers; Birmingham School of Acting; and is it okay to change the ending of a classic play?
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Buy the print version here.