• Metropolitan Opera |The trouble with the turntable
  • Metropolitan Opera | Leontyne Price on opening the new Met
  • Metropolitan Opera | The story behind the chandeliers
  • The Grange Festival 2018

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  • Ashutosh Khandekar Editorial Director; Editor – Opera Now
  • Josephine Miles Assistant Editor – International Piano and Opera Now
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About Opera Now

The new-look Opera Now captures the drama, colour and vitality of one of the most powerful of all the performing arts. In our print and digital editions, we showcase the creative spirit of opera, both on stage and behind the scenes, with profiles of opera companies, singers, directors and designers. Our in-depth features reflect how diverse cultural elements have influenced opera, including travel, history, literature, art, architecture, politics and philosophy.

Our lively reviews and opinion pages are a platform for writers and critics drawn from all over the world. Our aim is to inspire our opera-loving readers to broaden their knowledge and deepen their passion for this fascinating and stimulating artform.

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Current issue: November/December 2020

Maria Callas’s influence in the opera world continues to burn brightly long after her death. The superlatives began during her own lifetime: ‘Not just unequalled – unequalable!’ exclaimed legendary Italian director Luchino Visconti when asked to describe her. The Italian press christened her ‘La Divina’, emphasising a metaphysical dimension that sets Callas apart as an artist. What is it about this extraordinary woman who gave opera a new impetus and meaning for a post-war generation? And where are the Callases of today? Opera Now investigates the enduring mystique of this inspirational figure....
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